How is Ireland’s housing crisis shaping Irish art today? Sarah Churchill asks contemporary Irish artists Aideen Barry and Spicebag for their thoughts.
by Maria Flood and Michael C. Frank The Figure of the Terrorist in Literature and Visual Culture editors Maria Flood and Michael C. Frank discuss what inspired their research for their new book and how the discourse around terrorism has…
by Joe Street Tell us a bit about your book Silicon Valley Cinema is about a sequence of films that were mostly released in the 2010s that focused on the impact of Silicon Valley corporations on our lives. Some of…
by Mani Sharpe and Daniel Goldenberg Read the original interview in French Shot in 1959, Le Retour is a short film directed by Daniel Goldenberg, in collaboration with the ex-paratrooper, Yann le Masson, who was responsible for cinematography, alongside Georges…
by Laura Minor Following the success of several working-class women who have created original comedy series in the UK, such as Carla Lane, Victoria Wood, Kay Mellor, and Caroline Aherne, the 2010s (and onwards) have seen an increase in working-class…
by John Price Tell us a bit about your book ReFocus: The Films of William Wyler is a collection of critical essays, by contributors from both sides of the Atlantic, on one of the most successful and awarded directors of…
by Josephine Botting Approaching an archival collection the scale of Adrian Brunel’s is a daunting prospect. Every box contains a hotchpotch of items, which at first defy coherence: snapshots, letters, diaries, cuttings, contracts, scribblings on scraps of paper, legal summons…
by Whitney Strub and Peter Alilunas Tell us a bit about your book Alilunas and Strub: ReFocus: The Films of Roberta Findlay is the first collection of scholarly essays on the notorious, groundbreaking, iconoclastic, controversial, talented, subversive, and often funny…
by Mani King Sharpe In the late 1950s and early 1960s, a spate of ‘late-colonial’ French films were made that thematised the Algerian War of Independence (1954-1962), as it was occurring. Some of these films, for example, Muriel (Resnais, 1963),…
Dr Davina Quinlivan The interdisciplinarian is best equipped to walk inside (and alongside) the lands of breathlessness, translating across border-lands wherever possible as she moves. This is because an inter-disciplinarian is identifiable by her movement, the willingness to depart from her discipline, to…