• A figure of a woman standing by the shore suggesting an encounter with affective forces

Five Unmissable Performances from Penny Dreadful

By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in a world where Victor Frankenstein, his Creature, Professor Van Helsing, and Dorian Gray can all co-exist. It’s a world where…

A Study in Four Colours: The Case of the Chameleon Detective

By Lucyna Krawczyk-Żywko Sherlock Holmes, “the most portrayed literary human character in film and TV” (Guinness World Records News), is skilled at disguising himself and adjusting to different circumstances and yet remaining himself. Few literary characters lose so little in…

What is non-cinema?

By William Brown I was delighted that Film-Philosophy recently published my essay: ‘Non-Cinema: Digital, Ethics, Multitude’.  The essay is a first articulation of what I am terming non-cinema, and which is the focus of a forthcoming monograph that I am…

John Cura: Pioneer of the Television Archive

By Richard Wallace The work of John Cura is a fascinating side-note in the history of British television. Between 1947 and 1968 Cura made a successful business from photographing the BBC and ITV programmes broadcast to his television set and…

The Devils Reconsidered

By Christophe Van Eecke Ken Russell is often considered more or less the court jester of British film history, and his films have not always been taken quite as seriously as they deserve. This holds true even of The Devils…

Spatial Film History

By Christian B. Long My article in the new issue of International Journal of Humanities and Arts Computing is part of my broader research in the spatial history of film. In “Where Is France in French Cinema, 1976-2013” and in my research…