• A green field with a hedge in the left background. The field is covered with thin, eerie mist.

The Devils Reconsidered

By Christophe Van Eecke Ken Russell is often considered more or less the court jester of British film history, and his films have not always been taken quite as seriously as they deserve. This holds true even of The Devils…

Spatial Film History

By Christian B. Long My article in the new issue of International Journal of Humanities and Arts Computing is part of my broader research in the spatial history of film. In “Where Is France in French Cinema, 1976-2013” and in my research…

Nuancing Ken Russell

By Kevin M. Flanagan Director Ken Russell (1927-2011) tends to evoke extreme reactions. Critics, academics, and fans lavish a few of his works with rapturous praise. His adaptation of D.H. Lawrence’s Women in Love (1969), or some of his composer…

Cinema – An Extract from The Badiou Dictionary

Badiou's interventions on cinema are scattered over a large time span, dispersed in myriad film reviews, short articles and conferences, and for the main part are devoted to discussing one or several individual films, as evidenced by his recently published collection, Cinema.

Journal of British Cinema and Television

Dai Vaughan, John Berger, and disciplinary boundaries

Three years ago, Richard Macdonald and I compared Dai Vaughan (1933-2012) with two other ‘outstanding figures of his generation’, Robin Wood (1931-2009) and V F Perkins (1936-). The comparison is worth extending. Wood and Perkins are now regarded as key figures…