In James Benning’s film Concord Woods (2014), we watch a replica of Henry David Thoreau’s famous cabin at Walden Pond. The cabin is first shown during the summer solstice, graced by the golden sunlight. The shot lingers for sixty minutes…
Looking Back at the Russian Revolution 2017 marks the 100th anniversary of the Russian Revolution, which occurred in March and November (Gregorian calendar) in 1917. The pair of revolutions saw the disassembly of the Tsarist autocracy in favour of the…
The 2017 Eurovision Song Contest was won this year by Portugal’s entry, with a singer called Salvador Sobral, who sang a simple, heartfelt song of love and loss. Over and against the elaborate stage mechanics and outlandish attempts at eclecticism…
In this post, Tony Berber Sardinha and Marcia Veirano Pinto detail their corpus based research on American television and off-screen registers for an article appearing in Corpora. Read the full article including details of the methodology and results here. What…
Britain has long had a contradictory relationship to movie stardom, as two articles from the fan magazine Picturegoer, both by the same writer, both from 1943, eloquently demonstrate. In October, Lionel Collier had asked hopefully ‘are we making our own…
An extract from The Edinburgh Festivals: Culture and Society in Post-war Britain by Angela Bartie On Sunday 24 August 1947, the first Edinburgh International Festival of Music and Drama opened with a service of praise in St Giles’ Cathedral, the…
Film-philosophy has seen a resurgence of interest in phenomenology, particularly in its existentialist branch as exemplified by the work of Martin Heidegger, Jean-Paul Sartre and Maurice Merleau-Ponty. This is largely because much has been made of the turn to affect…
With less than a year separating the publication of two age related issues of the Journal of British Cinema and Television the urgency and relevance of such scholarship is thrown into sharp relief. In the context of an ageing population…
‘A future politics is given there so powerfully that it’s present as a trace even in certain reactions that, in the very force and determination of reaction, replicate horror’s preconditions…’ Fred Moten1 By foregrounding the experiences of slavery, a black…