A Q&A on the making of Shakespeare Comics - exploring how graphic novels and manga adapt Shakespeare's plays and what they reveal about art, time, and culture.
In 1917, Erik Satie faced a spiritual dilemma—the challenge of giving voice to death, to nothingness. The composer had begun setting fragments of Plato’s narrative account of Socrates’s final days and death. Satie wanted the music to be ‘as white…
The history of twentieth century British-Jews, Stephan E. C. Wenderhorst’s book shows, offers valuable insights to the understanding of British history. In his extended review of the book, Arie Dubnov examines the way in which Wenderhost’s book, which he characterizes…
The April 2015 issue of Studies in World Christianity is largely based on a handful of the many papers presented at the 24th meeting of the Yale–Edinburgh Group on the history of missions and world Christianity, held at New College,…
Heidi Thomson’s essay in the April 2015 issue of Romanticism considers how Wordsworth’s poem, “Song for the Wandering Jew” resists classification, particularly given its inclusion in the 1800 edition of Lyrical Ballads. Thomson argues that “the poem was a deflected…
“In its breadth of contributions by scholars and writers with a distinguished background in their respective fields, Postcolonial Springs will serve as an informed platform for debate across scholarly, political, cultural, and activist fronts. These urgencies – foremost amongst them the realities…
Jack Mitchell (Dalhousie University) addresses William Morris’ Aeneid translation of 1875 and explains in his article, William Morris’ Synthetic Aeneids: Virgil as Physical Object that “a key theme of Morris’ overall artistic creed, namely the need to make ideas concrete…
In their article from the Archives of natural history, Klaus Barthelemess and Ingvar Svanberg discuss a painting from a manuscript album, known as Kungsboken. This contains various documents of military relevance assembled during the rule of the Swedish kings Charles…
“What’s wrong with that bed, Joe?” — Samuel Beckett, Eh Joe (1965) There is something conspicuously odd about many of the everyday objects depicted in Samuel Beckett’s work. Items that are typically associated with the mundane, that usually sink into…