Donald Adamson and Robert Yates on the revolutionary 'Moat Pit' of Sir George Bruce, and the global significance it brought to industry in Culross
The editors of The Plays of Charles Dickens discuss five arguments in defense of Dickens's dramatic works.
by Elisa Cazzato Those who have familiarity with the work backstage in a theatre or dance production will know that this is where quarrels and logistic tensions often occur. In my research at the Paris Opéra, I take a look…
by Ana Abad-Carlés and Marina Peñaranda-Abad Our article for Dance Research 41(2) came to us in a very serendipitous way, when we saw that the Prologue to the Spanish edition of Serge Lifar’s book La Danse had been written by…
by ‘Funmi Adewole Elliott Over the years I have carried out several research projects as a practitioner, at times with funding from organisations like the Arts Council and Chisenhale Dance Space or with support from The Space at Clarence Mews.…
Compared with video material dealing with Shakespeare, there are relatively few really helpful videos dealing with Ben Jonson, either on the internet in general or on YouTube in particular. This, of course, is also true of most “Renaissance” authors aside from “the Bard.” However, one particularly valuable video documentary dealing to some degree with Jonson (and in fact titled “Ben Jonson”) was released as part of the “ShaLT [Shakespearean London Theatres] Project”:
by Mieke Bal My new book explores and analyses making “thought-images” by means of “image-thinking”. In my experience in making films and video installations I learned that making images and thinking through what the process involved and yielded, as a…
by Geoffrey Marsh Given that there is little information about Shakespeare’s life, people ask what made me think there was enough to write another book. The short answer is I didn’t. While I would like to claim that Living with…
Catherine Belsey and Alan Dessen discuss the complexities of creating Banquo's ghost for the stage in Macbeth.
An extract from The Edinburgh Festivals: Culture and Society in Post-war Britain by Angela Bartie On Sunday 24 August 1947, the first Edinburgh International Festival of Music and Drama opened with a service of praise in St Giles’ Cathedral, the…