Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
A Q&A with Jenna Clake, author of Whiteness, Feminism and the Absurd in Contemporary British and US Poetry.
In part four of this five-part series, Geetha Ramanathan uses two examples to consider how African American films of the 1970s and 1980s explored America’s relationship with race. Click here to read part one of the series. Over the course of African…
The controversy over ‘all-white’ 2020 BAFTAs once again shows the importance of understanding that issues of diversity are at the forefront of debates film and television. But it’s not just a question of who is, and is not, in the…
By Calum Waddell Last year’s superior possession shocker Hereditary (from director Ari Aster) and the recent release of Jordan Peele’s Us has resulted in a new term, ‘elevated horror’, being introduced into the critical lexicon, much to the chagrin of…
Julie Anne Taddeo As the most watched period drama in television history, Downton Abbey has met with popular success but not always critical acclaim. Historians in particular have criticized what they see as the series’ conservative politics and nostalgic view…
Pop music and youth culture are known to be among the great British exports of the late twentieth century. Be it teddy boys/girls or The Beatles, mods or the Sex Pistols, football hooligans or the Spice Girls, the seemingly rapid…
‘A future politics is given there so powerfully that it’s present as a trace even in certain reactions that, in the very force and determination of reaction, replicate horror’s preconditions…’ Fred Moten1 By foregrounding the experiences of slavery, a black…