By Virginie Trachsler The young Persephone is gathering flowers in a meadow when her uncle Hades, god of the underworld, rises through a crack in the earth and abducts her on his golden chariot. Her mother Ceres wanders the earth…
Thomas Nail writes about Venus as the desire of gods and men in Lucretius' De Rerum Natura. She is not only the external object of desire of the other gods and of men; she is the desire itself.
Walter Scott’s poetry dominated the early years of the nineteenth century but has subsequently fallen into relative obscurity. The first scholarly edition of Marmion (1808), the second of Scott’s grand historical narrative poems, has recently been published and sets out…
‘The Cantos and Pedagogy Forum’ in Volume 12 Issue 3 of Modernist Cultures consists of a research-length article by my colleague, Joshua Kotin, and myself, as well as responses by Charles Altieri, Alan Golding, Marjorie Perloff, and Michael Coyle and Steven…
CounterText Volume 3.2 (August 2017) is a special issue entitled The Poetic, and contains a contains a wide-ranging interview with Judith Butler conducted by Aaron Aquilina (Lancaster) and Kurt Borg (Staffordshire). The following remarks, taken from near the end of…
The benefit of studying Gaelic poetry in conjunction with conventional documentary sources to obtain a fuller understanding of the past is illustrated in Ellen L. Beard’s article in Northern Scotland, Volume 8.1. She presents newly-compiled information and perspectives on two…
What has a nineteenth-century French poet got to do with 1960s American electronica? The poet Charles Baudelaire (1821-1867) published his controversial verse poetry collection Les Fleurs du mal in 1857, followed by his innovative prose poem works. His poetry has…
By Amanda Henrichs I’ve always imagined Ben Jonson as the quintessential cranky old man, constantly complaining about the current state of things and longing for a return to the good old days, when everyone was virtuous and poetry was good…
“what are the implications of [war damage] for our understanding of literary works which themselves engage with the theme of the damage inflicted by war?” Richard Price answers this as he considers how poets Guillaume Apollinaire, Wilfred Owen, Edward Thomas…