-
Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
How long has there been a “modern” English literature?
by A. Robert Lee In this ambitious new study A. Robert Lee tackles the question of how, and why, a given selection of English literary writings can assume the mantle of “modern.” To this end Moderns – Chaucer to Contemporary…
Flawed Crystals: Muriel Spark’s Ways of Seeing
‘How do you do it? I am dazzled’, enthused Evelyn Waugh in a letter to Muriel Spark in 1960. Spark’s latest novel, The Bachelors, was hot off the press, and this, Waugh told her, was ‘the cleverest and most elegant…
The Classical Tradition in Modern American Fiction
By Tessa Roynon In recent weeks, the U.S. Capitol in Washington D.C. has been much in the public eye. Whether stormed by President Trump’s supporters on 6th January, or as the “hallowed ground” that formed the backdrop to President Biden’s…
Ellroy and Me
By Nathan Ashman It was 2006 and James Ellroy was in the midst of penning the much anticipated third volume in his ‘Underworld USA Trilogy’, an epic criminal history of post-war America. I, meanwhile, was just about to begin my…