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Autopoietic Machines
Read more: Autopoietic MachinesRethinks the concept of power in relation to an emerging form - sensory power


Rethinks the concept of power in relation to an emerging form - sensory power

by Miriam Kent Wanda Maximoff, known as the Scarlet Witch, is one of Marvel’s most enduring characters. Her history has spanned multiple decades and media formats. Disney+’s WandaVision recently receiving praise for its characterisation, aesthetics and settings. WandaVision inserted Scarlet…

by Alberto Zambenedetti Sophia Loren relaxing by the side of the road, next to her broken-down Mercedes-Benz 300 SL Gullwing. Vittorio Gassman speeding through a deserted Rome in a beat-up Lancia Aurelia B24 convertible. Rossano Brazzi taking down the top…

Niamh Thornton, co-editor of Legacies of the Past explores the changing role of the victim in discussions of violence. A change of focus towards the victim A shift is taking place in whose stories are told. It has been a…

by Erica Tortolani and Martin Norden Silent-era film director Paul Leni was at the forefront of German filmmakers whose stylistically daring and narratively innovative productions garnered international acclaim and who found themselves heavily recruited by Hollywood studios during the 1920s.…

By Sharon Jane Mee and Bill Hunt [Content Note: This post contains shots from films depicting blood and gore] One of the things that became apparent to me as I was writing my book, The Pulse in Cinema: The Aesthetics…

by Patricia Pisters Watching horror movies Previously, I truly disliked horror films. In the late 1980s Brian de Palma’s Carrie (1976) was shown on television. I did not want to see it, but my friends and sister convinced me that…

Confusing films Watching narrative films can be one of the most engrossing aesthetic experiences possible. It can also be completely alienating – there are few things more boring than a boring film! But some films can be both engrossing and…

In the final part of this five-part series on African American film, Geetha Ramanathan discusses 2017 hit “Get Out” alongside Kathleen Collins’s “The Cruz Brothers and Miss Malloy” to consider different ways race relations are portrayed on screen. Click here…

In part four of this five-part series, Geetha Ramanathan uses two examples to consider how African American films of the 1970s and 1980s explored America’s relationship with race. Click here to read part one of the series. Over the course of African…