How is Ireland’s housing crisis shaping Irish art today? Sarah Churchill asks contemporary Irish artists Aideen Barry and Spicebag for their thoughts.
These five lesbian movie characters show how style can reveal queerness, power, and transformation on screen.
Discover the story of Film Studies at Edinburgh University Press – the first publications, the books that changed the field and what you can expect to see in future
by Misha Nguyen, Book Reviews Editorial Assistant (De Montfort University) The upcoming Spring and Summer editions of the Journal of British Cinema and Television, Volume 21.2 & 21.3) promise another bumper crop of book reviews, offering valuable insights into recent…
by Brett Davies The author of ReFocus: The Films of Lawrence Kasdan chats about the writing process behind the book, what inspired him to explore the films of Lawrence Kasdan and what surprised him most during his research. Tell us…
by Elizabeth Castaldo Lundén The Oscars are awards season’s final show and the mothership that paved the way for all other awards ceremonies. Therefore, one must reserve the best look to capitalize on the build-up. But what makes an Oscars…
by Brontë Hebdon Early in Ridley Scott’s Napoleon (2023), Bonaparte and Josephine de Beauharnais see each other for the first time. Their eyes meet across the room at one of the infamous post-terror bals des victims, and both are immediately…
by Daniela Berghahn Exotic Cinema author Daniela Berghahn chats to EUP on the inspiration behind the book and what surprised her most during the writing process. Tell us a bit about your book With my latest book Exotic Cinema, I…
A Q&A with Heba Arafa Abdelfattah In this author Q&A, Heba Arafa Abdelfattah introduces her latest book, Filming Modernity and Islam in Colonial Egypt, which explores the formative years of Egyptian film (1919–52) to contest the contradiction between Islam and…
by Lis Sodl, Elyce Rae Helford and Christopher Weedman Lis Sodl (M.A. Student, English Department, Middle Tennessee State University) interviews Elyce Rae Helford and Christopher Weedman on their new book, Liminal Noir in Classical World Cinema. Could you please briefly…