Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
by Ninya Mikhaila The discovery of rare, or unknown items of historic dress is always exciting. It can also be challenging when the extant object offers evidence which contradicts previously held beliefs about people in the past. A farthingale sleeve…
by Brontë Hebdon Early in Ridley Scott’s Napoleon (2023), Bonaparte and Josephine de Beauharnais see each other for the first time. Their eyes meet across the room at one of the infamous post-terror bals des victims, and both are immediately…
By Louise Chapman In 2012, I uncovered an array of boxes containing 177 items of dress in the School of Fashion and Textiles archives at Birmingham City University (BCU). Found in a store cupboard the assemblage included a large selection…
By Dr Ingrid E. Mida In April 2018, I was invited by artist Sarah Casey, as part of a collaborative project partially funded by the British Council and Arts Council England, to don my dress detective hat and study the…
By Valerie Cumming and Alexandra Kim The year 2017 marks the fiftieth anniversary of Costume as a journal and we are celebrating this milestone in a number of different ways. The most obvious is that Costume‘s cover design has been…