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Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
5 Contemporary Comedies by Working-Class Women You Need to Watch
by Laura Minor Following the success of several working-class women who have created original comedy series in the UK, such as Carla Lane, Victoria Wood, Kay Mellor, and Caroline Aherne, the 2010s (and onwards) have seen an increase in working-class…
From Gelopolitics to Geopolitics: The Case of Volodymyr Zelenskyy
Patrick T. Giamario Just over three years ago, Volodymyr Zelenskyy wasn’t yet president of Ukraine; he only played one on TV. In Servant of the People Zelenskyy portrayed Vasyl Holoborodko, a high school history teacher who unexpectedly wins the presidency…
The Politics of ‘Acting’: Why Cast Comedians?
By Neil Archer What makes a performance ‘truthful’? In one of my previous professional lives, as an actor, this question was one that concerned me on an everyday and practical level. But it’s one I’m still dealing with in my…
A Cannibal Poet In King James’ Court
By Brett Andrew Jones It wasn’t every day that accusations of cannibalism flew around the early Jacobean court. That’s (one reason) why I found the revised version of Mucedorus so interesting. It hardly compares well to what we consider the…