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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
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    • Atlantic Literature
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    • European Law
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  • Shame in Contemporary You-Narration: Q&A with the author

    Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

    February 11, 2026
    Read more: Shame in Contemporary You-Narration: Q&A with the author

British Women Amateur Filmmakers

British Women Amateur Filmmakers
  • British History / Film and TV / Gender Studies

Our book examines how and where women made and showed their films; and what those experiences reveal about the women…

  • ByEmma at EUP
  • OnJanuary 4, 2019

Top 5 Representations of the Weather in Shakespeare’s plays

  • Language and Literature / Pre 19th Century Literary Studies

By Sophie Chiari In Romeo and Juliet, the lovers are plagued by the dog days that overdetermine the climate of the…

  • ByCarla Hepburn
  • OnDecember 10, 2018

Canadian Modernism at the Present Time

canada-landscape-cityscape
  • Cultural Studies / Language and Literature / Modernism

Here, Brian Trehearne expands on his inspirations, and the wider context behind his article in Modernist Cultures (November 2018). My…

  • ByTeri Williams
  • OnDecember 4, 2018

Translating ‘The Sorrowful Muslim’s Guide’ – a labour of love

Hussein Ahmad Amin
  • Islamic and Middle Eastern Studies / Philosophy / Religion / World History

When we first thought about translating The Sorrowful Muslim’s Guide by Hussein Ahmad Amin, it was not just because the book…

  • ByEmma at EUP
  • OnNovember 26, 2018

A corpus-based approach to Charles Dickens’s use of direct thought presentation

  • Language and Literature / Linguistics / Literary Theory

by  Pablo Ruano Delving into characters’ minds is not Dickens’s strong suit. On the contrary, Dickens’s figures are best known…

  • ByRebecca Wojturska
  • OnNovember 23, 2018

Derrida and the New: Deconstruction, Speculative Realism, and New Materialism

paul klee steps
  • Literary Theory / Philosophy / Politics, Philosophy and Religion

The November 2018 issue of Derrida Today publishes the keynote addresses from the 2018 Derrida Today conference in Montreal. One…

  • ByTeri Williams
  • OnNovember 19, 2018

Frederick Douglass and Ten Scottish Worthies

  • Atlantic Literature / History / Language and Literature / Post 19th Century Literary Studies / Scottish History

Recent research has suggested that Frederick Douglass (1818-1895) was the most photographed American of the nineteenth century.  The former slave…

  • ByCarla Hepburn
  • OnNovember 15, 2018

5 Things You Never Knew About Spinoza

5 Things You Never Knew About Spinoza
  • Philosophy

Spinoza: a renegade thinker whose life was far from boring. From stab wounds to spiders, how many of these strange facts did you know about Spinoza?

  • ByNaomi Farmer
  • OnNovember 11, 2018

Primary and Secondary Qualities: More Trouble than You’d Think!

Primary qualities and elements from BL Royal 12 F X, f. 2
  • Philosophy

Size and shape versus sound and colour: discover how primary and secondary qualities have perplexed philosophers for thousands of years, and how Thomas Reid offers us a way forward.

  • ByNaomi Farmer
  • OnNovember 6, 2018
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Shame in Contemporary You-Narration: Q&A with the author

A sepia-toned 18th-century printed broadside titled “TRANSPORTED FOR SEDITION.” The design features ornate borders and three oval engravings of men in period clothing holding papers. Text around the portraits names individuals convicted of sedition and sentenced to transportation (penal exile), including references to courts and dates in the early 1800s. The overall style is decorative and historical, resembling a political or legal proclamation from Britain.

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