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  • Cultural Studies
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  • Shame in Contemporary You-Narration: Q&A with the author

    Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

    February 11, 2026
    Read more: Shame in Contemporary You-Narration: Q&A with the author

What We Were Left: Re-tracing the Political Aftermath of the First World War for Britain and Ireland

  • Cultural History / Cultural Studies / Irish Studies / Language and Literature / Modernism

Mark Quigley,University of Oregon With commemorations of the 1918 Armistice this past November, four years of centennial reckonings with the…

  • ByTeri Williams
  • OnJanuary 28, 2019

In Conversation with Susanne Bier

Susanne Bier
  • Film and TV / Gender Studies

Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice caught-up with Academy Award®, Golden Globe Award and Emmy Award winning writer and…

  • ByEmma at EUP
  • OnJanuary 25, 2019

Afghanistan – Themes and Variations

  • Cultural History / Cultural Studies / History / Islamic and Middle Eastern Studies

As it enters its second year of publication, Warwick Ball reflects on the emerging themes and (accidental) article pairings in…

  • ByTeri Williams
  • OnJanuary 22, 2019

Enlightenment in a Smart City: Edinburgh’s Civic Development, 1660-1750

Enlightenment in a Smart City
  • British History / Scottish History / Scottish Literature / Scottish Studies

By Murray Pittock My book is a study of the Enlightenment in Edinburgh like no other. Using data and models provided…

  • ByEmma at EUP
  • OnJanuary 14, 2019
  • 1 Comment

Does the British government learn from the history of military interventions?

Photograph of a British Challenger battle tank during Operation Desert Storm
  • British History / International Relations / Politics / World History

From Iraq to Libya, Louise Kettles asks whether the UK has learned to learn from its past mistakes in Middle-Eastern military interventions.

  • ByNaomi Farmer
  • OnJanuary 9, 2019
  • 2 Comments

British Women Amateur Filmmakers

British Women Amateur Filmmakers
  • British History / Film and TV / Gender Studies

Our book examines how and where women made and showed their films; and what those experiences reveal about the women…

  • ByEmma at EUP
  • OnJanuary 4, 2019

Top 5 Representations of the Weather in Shakespeare’s plays

  • Language and Literature / Pre 19th Century Literary Studies

By Sophie Chiari In Romeo and Juliet, the lovers are plagued by the dog days that overdetermine the climate of the…

  • ByCarla Hepburn
  • OnDecember 10, 2018

Canadian Modernism at the Present Time

canada-landscape-cityscape
  • Cultural Studies / Language and Literature / Modernism

Here, Brian Trehearne expands on his inspirations, and the wider context behind his article in Modernist Cultures (November 2018). My…

  • ByTeri Williams
  • OnDecember 4, 2018

Translating ‘The Sorrowful Muslim’s Guide’ – a labour of love

Hussein Ahmad Amin
  • Islamic and Middle Eastern Studies / Philosophy / Religion / World History

When we first thought about translating The Sorrowful Muslim’s Guide by Hussein Ahmad Amin, it was not just because the book…

  • ByEmma at EUP
  • OnNovember 26, 2018
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Shame in Contemporary You-Narration: Q&A with the author

Interior of a video rental store aisle with rows of DVD cases displayed on wall-mounted racks. Blue carpeted floor with several loose balloons scattered along the aisle. Shelving and displays extend into the background, with one person partially visible near the back of the store.

1980s video memories with Peter Turner

The image shows a sparse, worn room that appears to be a former prison cell. The walls are yellowed and heavily stained, with patches of peeling paint and dark discoloration near the bottom. The floor has a checkerboard pattern of tan and white tiles. In the center of the room is a simple metal bed frame with a grid base and no mattress. On top of the bed frame sits a small metal box. Attached to the frame are metal shackles, suggesting restraints were used. The room has a barred window on the right side, allowing some daylight to enter, casting shadows on the floor. The overall atmosphere feels stark, somber, and austere.

What do hundreds of documentaries on genocide say about perpetrators?

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Martial arts ecology and the quiet life of action cinema

A picture showing bare hills being grazed by sheep in the Ettrick valley.

A famous old shepherd looks for remedies

Q&A with Dr Beth Williamson: A Cultural Biography of William Johnstone

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