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Being a Greek captive in the medieval Mediterranean
Read more: Being a Greek captive in the medieval MediterraneanI would like to introduce you to two people. The first of these was called Iohannes Glafchyrno. Glafchyrno appears in the historical record...
Shakespeare’s Questions
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By Kevin Curran, University of Lausanne What is it about Shakespeare’s writing that makes it endure? Why do his plays and poems…
Human Rights Language in the 1890s
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By Anna Clark It is widely assumed that the concept of human rights only emerged after 1945. However, I have…
Behind Red Doors – Signs, Process and the Political
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How can Kudos help your publications stand out?
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Established over 2 years ago, Kudos provides an award-winning service to over 75,000 researchers worldwide, helping to increase the reach…
Which book brings a smile to your face?
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Here at Edinburgh University Press it’s safe to say that we love books. And we love books that make us…
Work, but At Your Own Risk … We Warned You
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By Audrey Evrard Despite of the loud chorus of political and business leaders extolling the virtues of hard work, a…
Five Unmissable Performances from Penny Dreadful
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By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in…
A Study in Four Colours: The Case of the Chameleon Detective
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By Lucyna Krawczyk-Żywko Sherlock Holmes, “the most portrayed literary human character in film and TV” (Guinness World Records News), is…
What is non-cinema?
By William Brown I was delighted that Film-Philosophy recently published my essay: ‘Non-Cinema: Digital, Ethics, Multitude’. The essay is a…