Patrick Valiquet asks why contemporary sound studies forgets the troubling moral and political aspects of Pierre Schaeffer’s experimental music research.
By Wolayat Tabasum Niroo In the northeastern provinces of Afghanistan, talented women sing folk songs to entertain each other in…
By Peter C. Pugsley In Japanese High School Films: Iconography, Nostalgia and Discipline, I write about how high school-based films capture…
by Tina Sikka 1. Tell us a bit about your book. The book draws on high profile case studies that…
Via Discovery & Inspiration, a podcast from the National Humanities Center In this short podcast from the National Humanities Center,…
by John Douglas Macready The history of philosophy can be thought of as an art gallery filled with paintings by…
by David Martin-Jones In a previous post, David Martin-Jones, author of Columbo: Paying Attention 24/7, explored the recent and enduring…
In this interview, Anne Sofie Schøtt, author of Kurdish Diaspora Mobilisation in Denmark: Supporting the Struggle in Syria, discusses the…
Graham Harman and Hilan Bensusan Graham Harman: Your new book Indexicalism has already created a lot of excitement, including a…
Graham Harman and Hilan Bensusan Have you read Part 1 – 4? Part 1Part 2Part 3Part 4 Graham Harman: In your book,…