Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
By Marek Sroka Seventy-five years ago, Winston Churchill, in what was to become one of the most famous orations…
by Nadje Al-Ali & Kathryn Spellman Poots It has been over 10 years that we have seen uprisings in the…
By James Bailey ‘I am a hoarder of two things: documents and trusted friends’, wrote Spark in her 1992 autobiography,…
By Virginie Trachsler The young Persephone is gathering flowers in a meadow when her uncle Hades, god of the underworld,…
By Jacob Bates-Firth Sarah Kofman and the Relief of Philosophy (ed. Bates-Firth and McKeane) is out now as a special…
17 February 1954 to 21 March 2020 By John Reuben Davies (Editor, The Innes Review) A year has now passed…
By Sharon Jane Mee and Bill Hunt [Content Note: This post contains shots from films depicting blood and gore] One…
‘How do you do it? I am dazzled’, enthused Evelyn Waugh in a letter to Muriel Spark in 1960. Spark’s…