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A Q&A with the editors of Refocus: The Films of Jane Campion
Read moreby Alexia L. Bowler and Adele Jones Refocus: The Films of Jane Campion (2023) is the first collection of scholarly […]
Sticky Screen Media in the Age of Personal Devices
by Nick Jones Screens are sticky. When we look at our phone, open our laptop, boot up our PC, turn…
Roland Barthes’ Fragments of a Lover’s Discourse: Translating Again, Writing Again
Patrick ffrench and Timothy Mathews discuss the special issue of CounterText they've recently edited.
Abstraction for all? Thoughts from the author of Abstraction in Modernism and Modernity
by Jeff Wallace When you’ve written something exploratory, it can take a little while to work out what it is…
Threads that Bind: Women and their Clothing in Sixteenth-Century Scotland
by Cathryn Spence and Cordelia Beattie The saying goes, ‘Clothes make the man’, but in early modern Scotland, many women…
Q&A with the editors of The Figure of the Terrorist in Literature and Visual Culture
by Maria Flood and Michael C. Frank The Figure of the Terrorist in Literature and Visual Culture editors Maria Flood…
A Q&A with Joe Street on Silicon Valley Cinema
by Joe Street Tell us a bit about your book Silicon Valley Cinema is about a sequence of films that…
Excavating a lost classic: Interview with Le Retour director, Daniel Goldenberg
by Mani Sharpe and Daniel Goldenberg Read the original interview in French Shot in 1959, Le Retour is a short…
Beckett and Embodiment: Body, Space and Agency – Q&A with the author
by Amanda M. Dennis Tell us a bit about your book. Beckett and Embodiment interrogates the strange, disconcerting representations of…
Scottish Education and Society Since 1945
by Lindsay Paterson Scottish education has often been celebrated as an international pioneer in many things – the opportunity to…