A Q&A on the making of Shakespeare Comics - exploring how graphic novels and manga adapt Shakespeare's plays and what they reveal about art, time, and culture.
By Gordon Graham Not so very long ago, it was quite widely accepted that Britain’s most significant contribution to the development of philosophy was ‘empiricism’ and that its great exponents were the Englishman John Locke, the Irishman George Berkeley, and…
By Asher Jiang The concept of physical power in its modern forms has been introduced by Sir Isaac Newton in his great work Philosophiae Naturalis Principia Mathematica. Although Newton has embedded this concept into a precise mathematical framework, the power…
By Giovanni Gellera Until recently, the question ‘What was philosophy like in Scotland before the Enlightenment?’ met a standard answer reminiscent of the famous Augustinian warning to those who dared to ask what was there before the beginning of time:…
To celebrate the new edition of Quentin Meillassoux: Philosophy in the Making, we bring you an exclusive author Q&A with Graham Harman. Questions by Jon Cogburn.
David Cameron has been avoiding the m-word. In his recent speech about extremism, the word ‘multicultural’ was noticeable by its omission for two reasons. First, Cameron said that Britain was a ‘successful multiracial and multi-faith democracy’ and a term like…
The problem of how philosophy is to approach the word politics is especially difficult, as it is itself a stake of political struggle and thus steeped in equivocity. The question of just who is and who is not considered political, and what objects are part or are not part of political consideration, is itself always intrinsic to politics. Philosophy thus encounters the word politics as inherently equivocal or, in Badiou’s terms, as a ‘split word’.
Badiou's interventions on cinema are scattered over a large time span, dispersed in myriad film reviews, short articles and conferences, and for the main part are devoted to discussing one or several individual films, as evidenced by his recently published collection, Cinema.
Gilles Deleuze (1925–95) is the contemporary philosopher to whom Badiou returns more than any other. His engagement with Deleuze is however neither homogeneous nor unequivocally critical, as it is often thought to be. In short, Deleuze figures in Badiou’s work as his preeminent philosophical disputant.
Jean Baudrillard on Muslims in France, the simulation of freedom in America, the demise of the intellectual and why French theory is like the Statue of Liberty.