Donald Adamson and Robert Yates on the revolutionary 'Moat Pit' of Sir George Bruce, and the global significance it brought to industry in Culross
‘It is possible that one day I will no longer love you, and this possibility cannot be taken away from love – it belongs to it. It is against this possibility, but also with it, that the promise is made, the word given.’ – Jean-Luc Nancy
By Anthony Paul Smith. As I was thinking back on the writing of the recently published François Laruelle’s Principles of Non-Philosophy: A Critical Introduction and Guide, I kept thinking of Laruelle’s discussion of his own writing about the work of…
By Gordon Graham Not so very long ago, it was quite widely accepted that Britain’s most significant contribution to the development of philosophy was ‘empiricism’ and that its great exponents were the Englishman John Locke, the Irishman George Berkeley, and…
By Asher Jiang The concept of physical power in its modern forms has been introduced by Sir Isaac Newton in his great work Philosophiae Naturalis Principia Mathematica. Although Newton has embedded this concept into a precise mathematical framework, the power…
By Giovanni Gellera Until recently, the question ‘What was philosophy like in Scotland before the Enlightenment?’ met a standard answer reminiscent of the famous Augustinian warning to those who dared to ask what was there before the beginning of time:…
To celebrate the new edition of Quentin Meillassoux: Philosophy in the Making, we bring you an exclusive author Q&A with Graham Harman. Questions by Jon Cogburn.
David Cameron has been avoiding the m-word. In his recent speech about extremism, the word ‘multicultural’ was noticeable by its omission for two reasons. First, Cameron said that Britain was a ‘successful multiracial and multi-faith democracy’ and a term like…
The problem of how philosophy is to approach the word politics is especially difficult, as it is itself a stake of political struggle and thus steeped in equivocity. The question of just who is and who is not considered political, and what objects are part or are not part of political consideration, is itself always intrinsic to politics. Philosophy thus encounters the word politics as inherently equivocal or, in Badiou’s terms, as a ‘split word’.
Badiou's interventions on cinema are scattered over a large time span, dispersed in myriad film reviews, short articles and conferences, and for the main part are devoted to discussing one or several individual films, as evidenced by his recently published collection, Cinema.