• Colour drawing of a staged theatrical scene framed by two symmetrical classical structures with niches containing gilded statues, flanked by trees. At the centre, a painted backdrop shows an island within an archipelago, with a visible settlement; in the foreground, a vessel approaches the shore. Four figures stand before the backdrop holding branches and other objects. The composition is enclosed within a thin rectangular gold border.

In Memory of Thierry Tremblay (1970–2022)

by James Corby and Ivan Callus ‘The whatever singularity is a singularity without quality, but it is a singularity with inclinations, a singularity that tends or aspires to the world. The singularity in its whateverness is a potentiality, but a…

The Persistence of Victorian Middle Class Fictions

by Albert Pionke The US has just emerged from a mid-term election cycle. In the UK, calls for a general election grow ever louder. Politicians, pundits, and pollsters alike cite the discontent of the middle class with, depending upon one’s ideological predilections,…

Reading Joyce

2022 marks a hundred years since Sylvia Beach published James Joyce’s novel Ulysses in full. What better time to think about reading Joyce? A hundred years of readers and readings! Of course, that’s not the whole picture. Ulysses is also…

5 places where modernism survived

Adapting or recasting the formal experiments of their modernist forebears...Here is a brief tour of five places where modernism survived well into the second half of the twentieth century.

Seamus Heaney, Virgil and the Good of Poetry

The work and life of Seamus Heaney (1939-2013) were, in Bill Clinton’s words, a gift to the world: ‘His mind, heart, and his uniquely Irish gift for language made him our finest poet of the rhythms of ordinary lives.’