
-  Libraries: Keepers of History and History MakersRead more: Libraries: Keepers of History and History MakersDaniel Miele visits two Dutch universities, exploring the shared challenges between publishers and libraries. 


Daniel Miele visits two Dutch universities, exploring the shared challenges between publishers and libraries.

Adapting or recasting the formal experiments of their modernist forebears...Here is a brief tour of five places where modernism survived well into the second half of the twentieth century.

This isn’t The Handmaid’s Tale. It’s Brave New World. But without soma.

The work and life of Seamus Heaney (1939-2013) were, in Bill Clinton’s words, a gift to the world: ‘His mind, heart, and his uniquely Irish gift for language made him our finest poet of the rhythms of ordinary lives.’

Q&A with EUP author Beth Rigel Daugherty about her research project and two new books about the life and works of Viginia Woolf

EUP author Katherine Voyles discusses the process around writing a double review for the Victoriographies Journal.

What Scottish play, published in 1725, reached over 100 printings by 1800, was called ‘the noblest pastoral’ by Robert Burns, inspired more than forty paintings, more than ‘from the entire works of Chaucer, Defoe, Swift, Richardson, or Fielding’ (R. Altick, Paintings from Books), and was performed by amateur companies throughout Scotland as late as the end of the 19th century?

Allan Ramsay and his 1720s Edinburgh adventure in ballad opera

Compared with video material dealing with Shakespeare, there are relatively few really helpful videos dealing with Ben Jonson, either on the internet in general or on YouTube in particular. This, of course, is also true of most “Renaissance” authors aside from “the Bard.” However, one particularly valuable video documentary dealing to some degree with Jonson (and in fact titled “Ben Jonson”) was released as part of the “ShaLT [Shakespearean London Theatres] Project”:

The articles in this special issue offer powerful transdisciplinary testimony to the rich potential of the contemporary return to mimesis, and in doing so suggest ways in which the mimetic turn and the post-literary turn may be understood as critically supplementing each other. In this short accompanying video Guest Editor Nidesh Lawtoo offers a foretaste of what readers can expect.