By the editors of IJHAC IJHAC: A Journal of Digital Humanities has been published since 1989, initially under the name History and Computing. It is one of the longest running journals in digital humanities. Recently, the journal broadened its thematic scope and…
by Emmanuel Ngué Um The main challenge facing Digital Humanities research in Africa is the race to catch up with a global trend, where digitization is increasingly present at the intersection of knowledge and society. This race is taking place…
by James Corby and Ivan Callus ‘The whatever singularity is a singularity without quality, but it is a singularity with inclinations, a singularity that tends or aspires to the world. The singularity in its whateverness is a potentiality, but a…
by Albert Pionke The US has just emerged from a mid-term election cycle. In the UK, calls for a general election grow ever louder. Politicians, pundits, and pollsters alike cite the discontent of the middle class with, depending upon one’s ideological predilections,…
In this interview, Ned Curthoys and Isabelle Hesse, editors of Literary Representations of the Palestine/Israel Conflict After the Second Intifada, discuss their new book. Tell us a bit about your book. Our edited collection Literary Representations of the Palestine/Israel Conflict…
2022 marks a hundred years since Sylvia Beach published James Joyce’s novel Ulysses in full. What better time to think about reading Joyce? A hundred years of readers and readings! Of course, that’s not the whole picture. Ulysses is also…
Adapting or recasting the formal experiments of their modernist forebears...Here is a brief tour of five places where modernism survived well into the second half of the twentieth century.
This isn’t The Handmaid’s Tale. It’s Brave New World. But without soma.
The work and life of Seamus Heaney (1939-2013) were, in Bill Clinton’s words, a gift to the world: ‘His mind, heart, and his uniquely Irish gift for language made him our finest poet of the rhythms of ordinary lives.’