Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
by Lilah Grace Canevaro 1. Stone can sing You don’t notice your windows when they’re clean. You might enjoy the sun streaming through them, or – more often in my experience – listen to the rain as it patters against…
by Jamie Callison Ask for a description of a mystic or a follower of mysticism, and you might be greeted with a portrait of an otherworldly recluse speaking in riddles and perhaps evincing some unusual physical symptoms like those found…
by Roberta Kwan Tell us a bit about your book. My book is about human knowing, or more precisely, humans as knowers. How can we know and be known? What prevents us from knowing? How should we know? The book…
by Derek Attridge There are two names in the subtitle of my book Forms of Modern Fiction: Reading the Novel from James Joyce to Tom McCarthy. One of these is less well-known than the other; in fact, for many readers,…
by Emily Goodwin and Sarah Brophy Video calls. Collaborative docs. Memes. “Live” concerts. Vaccine selfies. Netflix. Case rate data. Digital media provided lifelines during the COVID-19 global public health crisis. Yet as everyday life became more screen-centric than ever, the…
by Shuaib Ally, McGill University Around the turn of the 15th century in Cairo, a hadith scholar named Salah al-Din al-Aqfahsi heard Salah al-Din al-Kalai, a scholar associated with the Sufi Shadhili order, teaching the Quran. Part of his teaching…
by Joan Lord Hall What inspired you to research eros in Shakespeare’s work? Knowing that I had taught Shakespeare for about 40 years and had authored several guides to his play, a friend provocatively asked me “Why don’t you write…
by Jeff Wallace When you’ve written something exploratory, it can take a little while to work out what it is that you’ve done. This blog about my new book Abstraction in Modernism and Modernity: Human and Inhuman is written from…