Donald Adamson and Robert Yates on the revolutionary 'Moat Pit' of Sir George Bruce, and the global significance it brought to industry in Culross
By Benjamin Poore For the uninitiated, Penny Dreadful is a genre-busting neo-Victorian fantasy horror show, set in the 1890s, in a world where Victor Frankenstein, his Creature, Professor Van Helsing, and Dorian Gray can all co-exist. It’s a world where…
By Lucyna Krawczyk-Żywko Sherlock Holmes, “the most portrayed literary human character in film and TV” (Guinness World Records News), is skilled at disguising himself and adjusting to different circumstances and yet remaining himself. Few literary characters lose so little in…
Thomas Jefferson maintained a flock of geese to supply him with quills for his pens. The fastest speed for a professional business-letter-writer in 1834 was 30 words in 60 seconds, with the pen travelling 16.5 feet per minute. Jourdan Anderson,…
By Ivan Callus Recent work across literary theory has placed questions of scale in the foreground of critical debate. What is it that’s at stake? Cast your mind back to your childhood engagement with scales of the world, in play.…
What has a nineteenth-century French poet got to do with 1960s American electronica? The poet Charles Baudelaire (1821-1867) published his controversial verse poetry collection Les Fleurs du mal in 1857, followed by his innovative prose poem works. His poetry has…
Submissions are now invited for the Paragraph 2016 Essay Prize competition, in which the prize will be awarded for the best article addressing the theme: ‘Mourning’. In line with the journal’s leading role in investigating critical theory across a wide…
By Kelly Stage In 1605, Ben Jonson and George Chapman found themselves in prison because parts of their play Eastward Ho (written also with James Marston) had offended King James’s Scottish favourite, Sir James Murray. Jonson and Chapman took to…
By Amanda Henrichs I’ve always imagined Ben Jonson as the quintessential cranky old man, constantly complaining about the current state of things and longing for a return to the good old days, when everyone was virtuous and poetry was good…
By Kate McLoughlin This article arose from a paper I gave at the conference on the Long Modernist Novel at Birkbeck, University of London, in April 2014, organised by Scott McCracken and Jo Winning, the editors of this volume of…