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Edinburgh University Press Blog

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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • Shame in Contemporary You-Narration: Q&A with the author

    Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

    February 11, 2026
    Read more: Shame in Contemporary You-Narration: Q&A with the author

Updating Roman Jakobson’s ‘Poetic Function’ with Vector Semantics

Kurzynski discusses how poetry extends beyond sound and rhythm and taps into a deeper network of meanings.

  • Edinburgh University Press
  • November 12, 2025

Linguistic Disadvantage in Jury Trials: Q&A with the author

Eva Ng explores how Chinese jurors in Hong Kong understand English trials, uncovering language barriers and their impact on fair justice.

  • Edinburgh University Press
  • November 3, 2025
Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

Explore five adaptations of Brontë novels that amplify violence, from Wuthering Heights to Jane Eyre, reshaping the Brontës’ enduring cultural impact.

  • Edinburgh University Press
  • September 22, 2025

Hardboiled Blues: Rethinking the Music of Rory Gallagher

Dr Lauren Alex O’Hagan explores the overlooked literary depth of Rory Gallagher’s lyrics, arguing for their place within a unique hardboiled blues tradition.

  • Edinburgh University Press
  • September 5, 2025

Professionalisation and the New Woman: Q&A with Riya Das, editor of the critical edition of Mona Caird’s The Daughters of Danaus

Riya Das discusses the making of her fully annotated edition of Mona Caird’s immensely successful novel, The Daughters of Danaus.

  • Edinburgh University Press
  • August 29, 2025

Envy and the Politics of Reading

How did early modern writers link envy in print culture to politics and community?

  • Edinburgh University Press
  • August 25, 2025

James Boswell and the ‘Whisperers’

by John Eglin James Boswell, like a number of wealthy and well-connected British travelers in Italy, could expect to move in elevated social circles as he went from city to city. In common with many of his fellow tourists, he…

  • Edinburgh University Press
  • August 20, 2025

Strengthening Scottish Identity in the 1930s

Duncan Sim on the founding of the Claymore magazine and its impact on Scottish identity

  • Edinburgh University Press
  • August 12, 2025

Shakespeare Comics: Q&A with the author

A Q&A on the making of Shakespeare Comics - exploring how graphic novels and manga adapt Shakespeare's plays and what they reveal about art, time, and culture.

  • Edinburgh University Press
  • July 10, 2025
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Shame in Contemporary You-Narration: Q&A with the author

A sepia-toned 18th-century printed broadside titled “TRANSPORTED FOR SEDITION.” The design features ornate borders and three oval engravings of men in period clothing holding papers. Text around the portraits names individuals convicted of sedition and sentenced to transportation (penal exile), including references to courts and dates in the early 1800s. The overall style is decorative and historical, resembling a political or legal proclamation from Britain.

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Stone statue viewed from behind beneath tall Gothic arches and dark stone columns, framing a bright blue sky with clouds

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Emperor Justinian and court officials in a colourful mosaic, Gothic soldiers on the left side.

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