Stuart Dunmore discusses his motivations for researching new Gaelic speakers, and the incredible places and experiences this led to.
by Catherine Gander Tell us a bit about your book. The Edinburgh Companion to Don DeLillo and the Arts brings together 31 excellent international scholars. It’s the first book to comprehensively explore DeLillo’s life-long engagement with the arts – visual,…
by Roberta Kwan Tell us a bit about your book. My book is about human knowing, or more precisely, humans as knowers. How can we know and be known? What prevents us from knowing? How should we know? The book…
by Derek Attridge There are two names in the subtitle of my book Forms of Modern Fiction: Reading the Novel from James Joyce to Tom McCarthy. One of these is less well-known than the other; in fact, for many readers,…
by Jeff Wallace When you’ve written something exploratory, it can take a little while to work out what it is that you’ve done. This blog about my new book Abstraction in Modernism and Modernity: Human and Inhuman is written from…
by Amanda M. Dennis Tell us a bit about your book. Beckett and Embodiment interrogates the strange, disconcerting representations of the human body across Samuel Beckett’s work. Such attention to the body and the varied forms it takes—often integrated with…
by Mario Aquilina and Nicole B. Wallack On 29 March 2023, two of the editors of The Edinburgh Companion to the Essay, Mario Aquilina (The University of Malta) and Nicole B. Wallack (English and Comparative Literature, Columbia University) led a roundtable with…
by Emmanuel Ngué Um The main challenge facing Digital Humanities research in Africa is the race to catch up with a global trend, where digitization is increasingly present at the intersection of knowledge and society. This race is taking place…
What Scottish play, published in 1725, reached over 100 printings by 1800, was called ‘the noblest pastoral’ by Robert Burns, inspired more than forty paintings, more than ‘from the entire works of Chaucer, Defoe, Swift, Richardson, or Fielding’ (R. Altick, Paintings from Books), and was performed by amateur companies throughout Scotland as late as the end of the 19th century?
Allan Ramsay and his 1720s Edinburgh adventure in ballad opera