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Being a Greek captive in the medieval Mediterranean
Read more: Being a Greek captive in the medieval MediterraneanI would like to introduce you to two people. The first of these was called Iohannes Glafchyrno. Glafchyrno appears in the historical record...
Covenants and Covenanting
By Neil McIntyre This month, The Scottish Historical Review publishes the first of a series of special issues that tackle key themes in Scottish History. ‘Covenants and Covenanting’ will showcase the latest research on the origins, impact and legacies of…
About William S. Burroughs
By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…
5 Lesser-known Werewolf Films to Watch on Halloween
The Jesuits and the Globalisation of the Renaissance
By Peter Burke The idea that the unintended consequences of human action are often more important – for better and even more often, for worse – than the intended ones is a well-known theme among historians, whether they study politics,…
The Poisonous Flowers of H. Rider Haggard’s Cleopatra: Part Three
By Jemma Stewart Read Part 1 and Part 2 of this blog series. Rose Roses…have ever reigned as queens of flowers.[i] The rose bloomed in Ancient Egypt, as Jack Goody attests: Above all there was the hundred-petalled rose, which became…
The Poisonous Flowers of H. Rider Haggard’s Cleopatra: Part Two
By Jemma Stewart Read Part 1 of this blog series. Lotus And as the voice spoke, a cold hand touched my hand … As the light came back, I gazed upon that which had been left within my hand. It…
The Poisonous Flowers of H. Rider Haggard’s Cleopatra: Part One
By Jemma Stewart H. Rider Haggard’s Gothic Garden In the Gothic Studies articles ‘Blooming Marvel’ and ‘She shook her heavy tresses’, I assess the ways in which floral symbolism (or floriography) in Bram Stoker’s Dracula (1897) and H. Rider Haggard’s…
Culture Wars, Talking Pictures and the Telegraph: Part Two
By Julian Petley and Andrew Roberts Catch up with Part One of Culture Wars, Talking Pictures and the Telegraph For Heffer, ‘the lesson of Talking Pictures is clear. It portrays the England millions of us wish we still lived in’.…
Culture Wars, Talking Pictures and the Telegraph: Part One
By Julian Petley and Andrew Roberts Author’s Note: Given the current state of culture war, the Journal of British Cinema and Television is extremely keen to encourage further discussion of the sort of topics covered in this blog post, which…