• Abel Ferrara, a man with grey hair and dressed in a light grey suit, stands with his arms crossed in front of a red circle.

Jean-Luc Nancy and Paragraph

By Peggy Kamuf In tribute to Jean-Luc Nancy, whose death was announced in August, Peggy Kamuf looks back on a landmark special issue of Paragraph (‘On the Work of Jean-Luc Nancy’, Paragraph, Vol. 16, Issue 2) which she edited in…

What embroidery can tell us about sustainable fashion

By Marta Kargól Some years ago, I discovered an extraordinary collection of embroidery samples preserved in The Museum Rotterdam. The collection consists of more than 250 embroidery samples, patterns and fashion drawings. These objects bear witness to the great yet…

The Politics of ‘Acting’: Why Cast Comedians?

By Neil Archer What makes a performance ‘truthful’? In one of my previous professional lives, as an actor, this question was one that concerned me on an everyday and practical level. But it’s one I’m still dealing with in my…

A Cannibal Poet In King James’ Court

By Brett Andrew Jones It wasn’t every day that accusations of cannibalism flew around the early Jacobean court. That’s (one reason) why I found the revised version of Mucedorus so interesting. It hardly compares well to what we consider the…

C. S. Lewis and His Medieval Mirror

By Erik Eklund C. S. Lewis is best known for his introductory exposition of Christianity, Mere Christianity (1952), as well as his series of children’s books, The Chronicles of Narnia (1950–56), yet, notwithstanding his numerous theological works, his identity as…