Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
Jane de Gay discusses what Virginia Woolf really thought about Easter in a series of blog posts throughout Holy Week.
How did Abū Naṣr Yehuda, a Jewish landowner from 11th-century Bāmiyān, conduct his business affairs with his Muslim neighbors? What was the role of Shujāʿ al-Dīn Muḥammad in the administration of Bāmiyān prior to its destruction by Genghis Khan in…
In 1998, the celebrated lesbian film scholar B. Ruby Rich wrote: ‘I don’t want to make the mistake of falling into that comfortable old victim box, complaining of absence in the midst of presence. We’re not invisible anymore’ (58). In…
By Marc Abramiuk, archaeologist and applied anthropologist The central Helmand Valley of Afghanistan is the name I use to describe the section of the Helmand River basin lying between the confluence of the Arghandab and Middle Helmand in the north,…
Julie Anne Taddeo As the most watched period drama in television history, Downton Abbey has met with popular success but not always critical acclaim. Historians in particular have criticized what they see as the series’ conservative politics and nostalgic view…
Mark Quigley,University of Oregon With commemorations of the 1918 Armistice this past November, four years of centennial reckonings with the First World War effectively came to a close. But just as the impacts of the war extended far beyond active…
As it enters its second year of publication, Warwick Ball reflects on the emerging themes and (accidental) article pairings in both the October 2018 and April 2019 issue of Afghanistan, the new journal of the American Institute of Afghanistan Studies.…
In his new book, The Birth of the American Horror Film, Gary D. Rhodes delves into the archives to focus on 10 key horror genres prominent in American cinema between 1895 and 1915. From ghosts and witches to mad scientists…
John Pollock’s new article on the true provenance of ‘Mr Shuckspr’se Box’ begins with an auction, although true to our ‘advanced age’, it is a live webcast auction. Our author bids on ‘A 17TH CENTURY IRON STRONG BOX’ and wins…