A Q&A on the making of Shakespeare Comics - exploring how graphic novels and manga adapt Shakespeare's plays and what they reveal about art, time, and culture.
by Richard Ralph In March this year, Dance Research lost two of its core members from its editorial team – Margaret McGowan and Clement Crisp, who had each been with the journal since its inception forty years ago. I have…
By Wolayat Tabasum Niroo In the northeastern provinces of Afghanistan, talented women sing folk songs to entertain each other in female-only gatherings on happy occasions. The songs are accompanied by a diara or daff, a colorful frame drum made of…
by Dr Richard Ashby Dr Richard Ashby analyses the 2010 Dennis Kelly play The Gods Weep, showing that playwright Dennis Kelly appropriates King Lear to interrogate the relationship between the Holocaust and climate change. Near the end of the 2010…
By Brett Andrew Jones It wasn’t every day that accusations of cannibalism flew around the early Jacobean court. That’s (one reason) why I found the revised version of Mucedorus so interesting. It hardly compares well to what we consider the…
by Geoffrey Marsh Given that there is little information about Shakespeare’s life, people ask what made me think there was enough to write another book. The short answer is I didn’t. While I would like to claim that Living with…
Catherine Belsey and Alan Dessen discuss the complexities of creating Banquo's ghost for the stage in Macbeth.
English speakers use the term “belly dance” to describe solo, improvised dances from the Middle East and North Africa that feature intricate movements of the shoulders, chest, and hips. Where Did the Name “Belly Dance” Come From? It isn’t a…
Looking Back at the Russian Revolution 2017 marks the 100th anniversary of the Russian Revolution, which occurred in March and November (Gregorian calendar) in 1917. The pair of revolutions saw the disassembly of the Tsarist autocracy in favour of the…
An extract from The Edinburgh Festivals: Culture and Society in Post-war Britain by Angela Bartie On Sunday 24 August 1947, the first Edinburgh International Festival of Music and Drama opened with a service of praise in St Giles’ Cathedral, the…