Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies
In this five-part series, Geetha Ramanathan, author of Kathleen Collins: The Black Essai Film (Edinburgh University Press, 2020), explores over a century of African American films and what they tell us about African American history both on and off screen.…
Biography is a dangerous genre for any historian. Inevitably it has to be set in the history of the subject’s time and place, but it is driven by the obsession engendered in the writer by the subject. This has been…
To celebrate the release of Muslim Preaching in the Middle East and Beyond: Historical and Contemporary Case Studies, editors Simon Stjernholm and Elisabeth Özdalga take us through five essential things you should know about Muslim preaching. 1. Synchronised sermons When…
The past years have seen many commemorations in the Israeli–Arab conflict: 100 years since the Balfour Declaration (2017), seventy years since Israel was created (2018), fifty years since the 1967 war (2017), thirty years since the first intifada (2017), and…
A staple in cinema for decades, the vampire movie is a genre that is constantly being rejuvenated with fresh blood. Michael Guarneri looks to Italian cinema to introduce five vintage vampire movies you might not have seen. 1) L’ultima preda…
By Siân Reynolds When we were preparing this special issue of Nottingham French Studies (59: 2) which I have guest-edited, we did not know that by the time it appeared the world would be in the grip of the COVID-19…
Series Editor Ramon Harvey introduces our latest Islamic and Middle Eastern Studies series, Edinburgh Studies in Islamic Scripture and Theology. He deduced that the Library is total and that its shelves register all the possible combinations of the twenty-odd orthographical…