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Edinburgh University Press Blog

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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • Why family ties in Kūfa mattered for early Islamic politics

    Aliya A Ali explores how kinship and marriage alliances shaped political power and governance in the early Islamic city of Kūfa.

    September 25, 2025
    Read more: Why family ties in Kūfa mattered for early Islamic politics

Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

Explore five adaptations of Brontë novels that amplify violence, from Wuthering Heights to Jane Eyre, reshaping the Brontës’ enduring cultural impact.

  • Edinburgh University Press
  • September 22, 2025
A man with salt-and-pepper hair stands in front of a black curtain, wearing a black and white tuxedo, looking off to the side

Cinema Without Borders: The Films of Paweł Pawlikowski

Explores the cinematic career of British-Polish director, Paweł Pawlikowski.

  • Edinburgh University Press
  • September 19, 2025
Exhibit display of Wonder Woman costumes in a museum. In the foreground, a mannequin wears a red and gold costume with a starry red cape inside a glass case. Behind it, another mannequin displays a blue suit, while to the right, a more modern Wonder Woman costume with armor, sword, and shield is showcased. A large poster of Wonder Woman is mounted on the wall in the background.

Reimagining the Action Heroine for the Twenty-First Century

A look through the ever-shifting landscape of the action genre and its representation of women.

  • Edinburgh University Press
  • September 15, 2025
John Singleton sits on a grey chair, with his hands resting on his legs. He is facing towards the right of the frame, listening to someone who is out of frame.

Q&A on ReFocus: The Films of John Singleton

Daniel Dufournaud reflects on the cultural impact of John Singleton, notably his portrayal of black masculinity.

  • Edinburgh University Press
  • August 19, 2025

Bringing Kinoshita Keisuke to Light

Earl Jackson argues for Kinoshita Keisuke's rightful place within Japanese film history.

  • Edinburgh University Press
  • August 14, 2025
A woman leans forward at an impossible angle into the wind. She is framed by a dark doorway set in a pale red building covered in graffiti.

Trans media’s expanding horizons

Q&A with Paige Macintosh, author of Debating Authenticity: Authorship, Aesthetics and Embodiment in Trans Media

  • Edinburgh University Press
  • June 19, 2025
A blonde woman, dressed in a fur coat and red hat, stands at a shopping counter with a cigarette in her mouth, before a brunette woman wearing a Santa hat

5 Iconic Lesbian Movie Characters and Their Signature Styles

These five lesbian movie characters show how style can reveal queerness, power, and transformation on screen.

  • Edinburgh University Press
  • June 4, 2025
Abel Ferrara, a man with grey hair and dressed in a light grey suit, stands with his arms crossed in front of a red circle.

Abel Ferrara – A New Perspective on a Cult Auteur

by Florian Zappe Abel Ferrara is one of the most uncompromising and provocative filmmakers of his generation. From his early exploitation roots to his philosophical and deeply personal later works, Ferrara has carved out a unique space in cinema—blurring the…

  • Edinburgh University Press
  • February 24, 2025

EUP 75: Our Publishing in Film Studies

Discover the story of Film Studies at Edinburgh University Press – the first publications, the books that changed the field and what you can expect to see in future

  • Edinburgh University Press
  • May 13, 2024
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Why family ties in Kūfa mattered for early Islamic politics

The Whitehead canon, version 2.0

A black and white photo of a man dressed in a suit jacket and bowtie looking towards the camera

Q&A with Paul du Plessis on Henry Maine’s Ancient Law

Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

A man with salt-and-pepper hair stands in front of a black curtain, wearing a black and white tuxedo, looking off to the side

Cinema Without Borders: The Films of Paweł Pawlikowski

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