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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • Shame in Contemporary You-Narration: Q&A with the author

    Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

    February 11, 2026
    Read more: Shame in Contemporary You-Narration: Q&A with the author

Q&A with Dr Beth Williamson: A Cultural Biography of William Johnstone

Beth Williamson discusses her research on the story of pioneering educator and influential artist William Johnstone.

  • Edinburgh University Press
  • February 16, 2026
Fashion plate depicting two women with parasols against a backdrop of roses and trees. The woman on the left is seated on a garden bench and holding an opened lilac parasol, displaying its white lining. The woman on the right is standing beside her and holding a closed blue parasol.

More Than Just Shade: 3 Surprising Stories About the 19th-Century Parasol

Elena Vanden Abeele investigates the functions, symbols and hidden meanings behind the parsol in the 19th century.

  • Edinburgh University Press
  • September 16, 2025

‘Beware of the ninnies!’ – Thoughts on ballet history

Sebastian Cody explores the challenges of ballet historiography, emphasising the need for rigorous scholarship amidst widespread inaccuracies

  • Edinburgh University Press
  • November 14, 2024
A black and white photograph of Hermann Gross holding a metalworking tool, with an in-progress sculpture before him.

Hermann Gross: a protean German Expressionist artist who chose to live and work in the north of Scotland

Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross

  • Edinburgh University Press
  • November 11, 2024
Photograph showing a page from a medieval manuscript.

Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black Square

Is there any such thing as a new idea? Bryony Coombs discusses similarities in artistic expression, centuries apart.

  • Edinburgh University Press
  • September 30, 2024

EUP 75: Our Publishing in Art and Visual Culture

Explore the journey of Art and Visual Culture publishing at Edinburgh University Press, from the 1960s to the most recent and innovative publications.

  • Edinburgh University Press
  • March 28, 2024

Launching the Scottish Photographic Artists Series

We are pleased to announce a new series in our continuing partnership with Studies in Photography. The Scottish Photographic Artists series will launch on April 30, 2023 with the publication of In Search of the Blue Flower: Alexander Hamilton and…

  • Edinburgh University Press
  • March 29, 2023
  • 1 Comment

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Shame in Contemporary You-Narration: Q&A with the author

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1980s video memories with Peter Turner

The image shows a sparse, worn room that appears to be a former prison cell. The walls are yellowed and heavily stained, with patches of peeling paint and dark discoloration near the bottom. The floor has a checkerboard pattern of tan and white tiles. In the center of the room is a simple metal bed frame with a grid base and no mattress. On top of the bed frame sits a small metal box. Attached to the frame are metal shackles, suggesting restraints were used. The room has a barred window on the right side, allowing some daylight to enter, casting shadows on the floor. The overall atmosphere feels stark, somber, and austere.

What do hundreds of documentaries on genocide say about perpetrators?

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Martial arts ecology and the quiet life of action cinema

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A famous old shepherd looks for remedies

Q&A with Dr Beth Williamson: A Cultural Biography of William Johnstone

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