Teri Williams

Teri Williams

  • Joined: August 28, 2019
  • Articles: 157
  • Profile half-length photograph of a man facing to the left wearing a dark jacket and tie, holding a cigarette in his hand, with a white handkerchief in his jacket breast pocket. The man has a prominent straight nose, slicked back hair and his tie forms a slight arch from the knot. In the background, on the left side of the image, there is another half-length frontal portrait of a man. He has white hair, also wears a jacket and tie, is looking to the right, and is smiling.

Covenants and Covenanting

By Neil McIntyre This month, The Scottish Historical Review publishes the first of a series of special issues that tackle key themes in Scottish History. ‘Covenants and Covenanting’ will showcase the latest research on the origins, impact and legacies of…

About William S. Burroughs

By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…

Scottish Affairs Special Issue on Adverse Childhood Experiences (ACEs): Whose interests does an ACEs agenda for Scotland actually serve?

By Ariane Critchley, Emma Davidson, Laura H.V. Wright The guest editors of the November 2020 edition of Scottish Affairs share their thoughts on why Adverse Childhood Experiences (ACEs) have galvanized so much attention in Scotland. They ask the question, in…

The Poisonous Flowers of H. Rider Haggard’s Cleopatra: Part One

By Jemma Stewart H. Rider Haggard’s Gothic Garden In the Gothic Studies articles ‘Blooming Marvel’ and ‘She shook her heavy tresses’, I assess the ways in which floral symbolism (or floriography) in Bram Stoker’s Dracula (1897) and H. Rider Haggard’s…