Antonia Wimbush explores how cultural works preserve the overlooked memories of Caribbean migration to France through the BUMIDOM program and challenge France’s national narrative.
Compared with video material dealing with Shakespeare, there are relatively few really helpful videos dealing with Ben Jonson, either on the internet in general or on YouTube in particular. This, of course, is also true of most “Renaissance” authors aside from “the Bard.” However, one particularly valuable video documentary dealing to some degree with Jonson (and in fact titled “Ben Jonson”) was released as part of the “ShaLT [Shakespearean London Theatres] Project”:
The articles in this special issue offer powerful transdisciplinary testimony to the rich potential of the contemporary return to mimesis, and in doing so suggest ways in which the mimetic turn and the post-literary turn may be understood as critically supplementing each other. In this short accompanying video Guest Editor Nidesh Lawtoo offers a foretaste of what readers can expect.
It’s been fifteen years since the last fat volume of essays on contemporary Scottish writing. Only a blink of historical time, but it’s been quite an eventful period. When the chapters of Berthold Schoene’s brilliant Edinburgh Companion to Contemporary Scottish Literature were being written, both the country and its debates looked rather different.
Bill Angus tells us five things you (probably) didn't know about crossroads.
Q. Tell us a bit about your book A. Cormac McCarthy, Philosophy and the Physics of the Damned is really a book about the importance of philosophy for literature. In it, I look at how one writer uses philosophy to…
"The gift—what we call “the gift” and “giving”—appears to have at least two distinct functions, and one would be hard pressed to decide between them."
by Dr Richard Ashby Dr Richard Ashby analyses the 2010 Dennis Kelly play The Gods Weep, showing that playwright Dennis Kelly appropriates King Lear to interrogate the relationship between the Holocaust and climate change. Near the end of the 2010…
By Jennifer Burek Pierce Place is central to John Green’s The Fault in Our Stars and to the community of readers who love his work. In both the novel and the movie versions of this story, visually distinctive places anchor…
by Elizabeth Amann & Michael Boyden 1. How did this book come about? Michael: This collected volume came out of a research network on revolutionary cultures involving the universities of Ghent, Göttingen, Groningen, and Uppsala. From the beginning, our aim was…
by Alexander Bubb It began with a case of mistaken identity. In 2016 I was growing deeply interested in The Rubaiyat of Omar Khayyam, a collection of short, pithy, epigrammatic poems translated from Persian by the Victorian man of letters…