Kirsty Crosbie

Kirsty Crosbie

  • Joined: September 30, 2019
  • Articles: 54

  • Making Fields: Women in Publishing

    by Nicola Wilson, Claire Battershill, Sophie Heywood, Marrisa Joseph, Daniela La Penna, Helen Southworth, Alice Staveley and Elizabeth Willson Gordon […]

    Read more: Making Fields: Women in Publishing

Ben Jonson on the Internet

Compared with video material dealing with Shakespeare, there are relatively few really helpful videos dealing with Ben Jonson, either on the internet in general or on YouTube in particular. This, of course, is also true of most “Renaissance” authors aside from “the Bard.” However, one particularly valuable video documentary dealing to some degree with Jonson (and in fact titled “Ben Jonson”) was released as part of the “ShaLT [Shakespearean London Theatres] Project”:

CounterText 8.1 – The Mimetic Condition

The articles in this special issue offer powerful transdisciplinary testimony to the rich potential of the contemporary return to mimesis, and in doing so suggest ways in which the mimetic turn and the post-literary turn may be understood as critically supplementing each other. In this short accompanying video Guest Editor Nidesh Lawtoo offers a foretaste of what readers can expect.

Stands Scottish Literature Where It Did? Revisiting Devolution

It’s been fifteen years since the last fat volume of essays on contemporary Scottish writing. Only a blink of historical time, but it’s been quite an eventful period. When the chapters of Berthold Schoene’s brilliant Edinburgh Companion to Contemporary Scottish Literature were being written, both the country and its debates looked rather different.

Q&A with Patrick O’Connor

Q. Tell us a bit about your book A. Cormac McCarthy, Philosophy and the Physics of the Damned is really a book about the importance of philosophy for literature. In it, I look at how one writer uses philosophy to…

The Holocaust and Climate Change: Shakespeare’s King Lear and Dennis Kelly’s The Gods Weep

by Dr Richard Ashby Dr Richard Ashby analyses the 2010 Dennis Kelly play The Gods Weep, showing that playwright Dennis Kelly appropriates King Lear to interrogate the relationship between the Holocaust and climate change. Near the end of the 2010…