Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
By Calum Waddell With the recent release of the trailer for the upcoming Halloween reboot, Michael Myers and his perennial victim Jamie Lee Curtis have been back in the mainstream public conscience for the first time since 1998, when the…
An extract from the introduction of Genre, Authorship and Contemporary Women Filmmakers By Katarzyna Paszkiewicz I don’t think I’ve read the words women and film and feminism in the same sentence as much in the last few months since…
One of the reasons for the devolution of the management of the Scottish Crown estate property to the Scottish government in April 2017 was because of the perception that the Crown Estate Commissioners in London focussed too narrowly on securing…
An account of how bureaucratic procedures created the space for political conflict and slander in nineteenth-century Ottoman Bulgaria and what can we learn from studying them. Why would a district head administrator arrest mules, or someone slander a governor with…
By Ondrej Beranek and Pavel Tupek 1) Over the past years and decades, various parts of the Islamic world – from Iraq, Syria, Mali and Tunisia, to Libya, Egypt, Saudi Arabia, Yemen and Bangladesh – have faced virulent attacks targeting…
In James Benning’s film Concord Woods (2014), we watch a replica of Henry David Thoreau’s famous cabin at Walden Pond. The cabin is first shown during the summer solstice, graced by the golden sunlight. The shot lingers for sixty minutes…
I was standing in a library aisle in the School of Oriental and African Studies, London, my neck craning to read titles dropping vertically down the spines of books. A familiar experience for many students, even if it is being…
What’s the artist for in modern Scotland? Curating our accumulated history? Envisioning our possible and impossible futures? Diagnosing the ills of our present and prescribing treatment for the body politic? Showing us who we are, or who we ought to…