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Henry Somers-Hall interviewed by Brent Adkins: Reading A Thousand Plateaus
Read more: Henry Somers-Hall interviewed by Brent Adkins: Reading A Thousand PlateausHenry Somers-Hall talks to Brent Adkins (author of the bestselling critical introduction and guide to A Thousand Plateaus) about his new book, Reading A Thousand Plateaus, which takes us even deeper into Deleuze and Guattari's masterwork.
5 Surprising Facts about Greta Gerwig

Did you know these facts about the Barbie (2023) director?
Borderland horror: Q&A with Anna Marta Marini

Q&A with Anna Marta Marini, author of The US-Mexico Borderlands in Contemporary Horror. Crossing the Boundary
Q&A with the author of Artificial Fiction: Imagining Literary Possibility Beyond the Human

A Q&A with the author of Artificial Fiction on the idea of AI-created storytelling, and how nonhuman narratives reshape literary theory.
6 things worth knowing about Jews and Muslims in the Maghreb

Marta Domínguez Díaz explores the intertwined lives of Iberian Muslims and Jews exiled to the Maghrib.
5 Dimensions of Affect in Bergson’s Philosophy

Henri Bergson's philosophy reveals time as a continuous and interconnected melody.
Femininity as ‘it’: Sexual Normativity within Schizoanalysis

Georgia Gibbs asks if schizoanalytic de-subjectification can contribute towards a feminist account of sexual normativity.
Common Sense: Between Democratic Promise and Political Peril

Thomas Telios considers common sense as a contested and performative concept shaping democratic discourse and political exclusion.
1980s video memories with Peter Turner

Q&A with the author of 'Unsuitable Film and Video Audiences: Underage Viewing Memories and Practices in 1980s United Kingdom'
What do hundreds of documentaries on genocide say about perpetrators?

After analysing over two-hundred documentaries, Julian Koch explains how genocidal 'perpetrators' are more complex than representational schemata of violent hatred and racism suggest
Martial arts ecology and the quiet life of action cinema

Martial arts cinema is often discussed through intensity. But what about when action slows down?When cinema asks us not to watch bodies fight, but to attend to how they might think and feel.


