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Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black Square
Read more: Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black SquareIs there any such thing as a new idea? Bryony Coombs discusses similarities in artistic expression, centuries apart.
A Celebratory Issue of ‘The New Americanist’
by Matthew Chambers The text for this blog is taken from the Editor’s Introduction of The New Americanist Vol 2.2. The New Americanist continues a tradition of research publication at the American Studies Center (University of Warsaw)—some iteration of the…
Making art is messy
by Simon Ellis Making art is messy. Artists make lots of decisions under less-than-ideal conditions without a clear understanding of how the work will turn out and how it will be felt and experienced by others. When we make artistic…
Edinburgh University Press – 75th Anniversary
by Nicola Ramsey 2024 is a milestone year for Edinburgh University Press as we celebrate 75 years of books, journals and engaging with the academic community. This January we’re reflecting on recent successes as well as looking forward. Our 75th…
Yogic Yeats and Jung: Early European Receptions of Asian Meditation Manuals
by Chris Murray Should Europeans meditate? Carl Gustav Jung (1875-1961) said not, but William Butler Yeats (1865-1939) disagreed. To argue his opinion, each adopted Goethe’s character Faust as a paradigm for the non-Asian psyche. For much of his life, Yeats…
Astrophil and Stella: The Sidney-Jonson Connection
by Bob Evans In 2023, the Ben Jonson Journal celebrated its thirtieth anniversary with a special issue devoted to detailed explications of all 108 sonnets in the important Astrophil and Stella sonnet sequence composed by Sir Philip Sidney. Edinburgh University…
Mine Games: Humanitarian Mine Action and The HALO Trust
by Angus Mitchell In January 1997, Diana, Princess of Wales, undertook a trip to Angola on behalf of the International Committee of the Red Cross. Her mission: to highlight the plight of landmine victims. With an entourage of photographers, journalists,…
Lost Property at the British Museum
by Sarah Keenan It’s easy to get lost at the British Museum. The expansive central London building, set out over three floors and divided up into over 60 galleries, displays some 80,000 objects from all over the world. The British…
Perspectives from Beyond Scotland’s Borders: Nurturing Innovative, Global Scholarship on Scottish History and Culture for Half a Century
by Kevin James and Melissa Turner Scotland has always had a geographically expansive range of global engagements: its imprint is discernible around the world—not just in the form of permanent settlement, much as its global impact has often been measured…
How colonial violence in Tasmania helped build scientists’ reputations and prestigious museum collections
by Jack Ashby, University of Cambridge Readers are advised this article contains the names of Aboriginal people who have died, and mentions attempted genocide, violence towards and offensive language about Aboriginal peoples. We might imagine that scientists gain recognition thanks…
Forging Late Roman Italy
by Jeroen Wijnendaele (This text incorporates my introduction for the book launch of Late Roman Italy at Hamburg’s RomanIslam centre – 21.11.2023) Fergus Millar once claimed that “Italy under the Empire has no history.” He meant that it had no…