• A green field with a hedge in the left background. The field is covered with thin, eerie mist.

The Devils Reconsidered

By Christophe Van Eecke Ken Russell is often considered more or less the court jester of British film history, and his films have not always been taken quite as seriously as they deserve. This holds true even of The Devils…

David Hume and Scottish Philosophy

By Gordon Graham Not so very long ago, it was quite widely accepted that Britain’s most significant contribution to the development of philosophy was ‘empiricism’ and that its great exponents were the Englishman John Locke, the Irishman George Berkeley, and…

Paragraph 2016 Essay Prize competition

Submissions are now invited for the Paragraph 2016 Essay Prize competition, in which the prize will be awarded for the best article addressing the theme: ‘Mourning’. In line with the journal’s leading role in investigating critical theory across a wide…

Invisible Tweets? Ben Jonson and Social Networking

By Kelly Stage In 1605, Ben Jonson and George Chapman found themselves in prison because parts of their play Eastward Ho (written also with James Marston) had offended King James’s Scottish favourite, Sir James Murray. Jonson and Chapman took to…

Ben Jonson’s Erotic Temporalities

By Amanda Henrichs I’ve always imagined Ben Jonson as the quintessential cranky old man, constantly complaining about the current state of things and longing for a return to the good old days, when everyone was virtuous and poetry was good…

Spatial Film History

By Christian B. Long My article in the new issue of International Journal of Humanities and Arts Computing is part of my broader research in the spatial history of film. In “Where Is France in French Cinema, 1976-2013” and in my research…