Robin Jackson explores the life and extraordinary range of work of 20th century German artist Hermann Gross
by Hamish Fraser With the readership of daily newspapers at the present day falling drastically and local newspapers struggling to survive, a study of Scottish newspapers in their heyday is timely. In the century after 1850, it was from newspapers…
by Paul Malgrati Every year, on 25 January, Burns Night offers a remarkable opportunity for Scottish political parties to issue a statement about the Scottish nation, its identity, and its situation. Last year, in 2022, Scotland’s First Minister, Nicola Sturgeon,…
By the Editors & Reviews Editor, the Burns Chronicle Almost 130 years ago, in 1892, enthusiasts started publishing the Burns Chronicle and the journal has continued ever since, conveying articles of interest and news among Burns Clubs and admirers of…
17 February 1954 to 21 March 2020 By John Reuben Davies (Editor, The Innes Review) A year has now passed since the death of Richard Sharpe, Professor of Diplomatic in the University of Oxford, and Fellow of Wadham College.[1] The…
By Fraser Raeburn On this day 84 years ago, Scottish soldiers went into battle. For most of them, it was for the very first time – and for many, it would also be their last. Throughout modern Scottish history, this…
By Richard Rodger You might think that with a commitment to Open Data and Open Access from the Scottish Government and Local Councils that you would be able to consult Census records from 150 years ago. You might think that…
By Neil McIntyre This month, The Scottish Historical Review publishes the first of a series of special issues that tackle key themes in Scottish History. ‘Covenants and Covenanting’ will showcase the latest research on the origins, impact and legacies of…
By John Reuben Davies Read the editorial introduction from The Innes Review: 70th Anniversary Virtual Collection, which is free to access on our site and contains over 40 free articles spanning 70 years of the The Innes Review‘s history. The…
Biography is a dangerous genre for any historian. Inevitably it has to be set in the history of the subject’s time and place, but it is driven by the obsession engendered in the writer by the subject. This has been…