Donald Adamson and Robert Yates on the revolutionary 'Moat Pit' of Sir George Bruce, and the global significance it brought to industry in Culross
The problem of how philosophy is to approach the word politics is especially difficult, as it is itself a stake of political struggle and thus steeped in equivocity. The question of just who is and who is not considered political, and what objects are part or are not part of political consideration, is itself always intrinsic to politics. Philosophy thus encounters the word politics as inherently equivocal or, in Badiou’s terms, as a ‘split word’.
Badiou's interventions on cinema are scattered over a large time span, dispersed in myriad film reviews, short articles and conferences, and for the main part are devoted to discussing one or several individual films, as evidenced by his recently published collection, Cinema.
Gilles Deleuze (1925–95) is the contemporary philosopher to whom Badiou returns more than any other. His engagement with Deleuze is however neither homogeneous nor unequivocally critical, as it is often thought to be. In short, Deleuze figures in Badiou’s work as his preeminent philosophical disputant.
EMPIRICISM Adrian Johnston Before addressing Meillassoux’s positioning vis-à-vis empiricism proper as an epistemological orientation in philosophy, I should say a few words about his relations with things empirical, specifically as per the empirical sciences resting upon a posteriori observation and…
DELEUZE, GILLES Jeffrey Bell Gilles Deleuze (1925–1995) is probably Meillassoux’s most important interlocutor, the philosopher who is both closest to his own concerns and yet the one with whom he most strongly disagrees. On the one hand, both Deleuze and…
CORRELATIONISM Written by Levi R. Bryant Meillassoux’s concept of correlation is arguably among his most significant and controversial contributions to philosophy. In After Finitude, he defines correlation as ‘the idea according to which we only ever have access to the…