by Elisa Cazzato Those who have familiarity with the work backstage in a theatre or dance production will know that […]
by Jürgen Pieters The painting on my new book’s cover was made by the Viennese artist Friedrich Frotzel (1898-1971). Its title – ‘The Old Bookcase’ – makes it even more appropriate. The library of comfort, as I make clear in…
By Stuart Gillespie I was one of the two founding editors of this journal in 1992. Anyone involved with a publication for this long will have travelled far, and when I look back over the thirty-year lifespan of Translation and…
By the Editors & Reviews Editor, the Burns Chronicle Almost 130 years ago, in 1892, enthusiasts started publishing the Burns Chronicle and the journal has continued ever since, conveying articles of interest and news among Burns Clubs and admirers of…
‘How do you do it? I am dazzled’, enthused Evelyn Waugh in a letter to Muriel Spark in 1960. Spark’s latest novel, The Bachelors, was hot off the press, and this, Waugh told her, was ‘the cleverest and most elegant…
Tell us a bit about Transatlantic Transformations of Romanticism Well, my book takes a fresh look at the literature of British Romanticism and its influence on twentieth- and twenty-first-century American literary culture and thought. It reads works of prose and…
By Derek King C. S. Lewis’s Till We Have Faces is a brilliant piece of fiction but also a mediation on an old problem called the problem of divine hiddenness. The problem of divine hiddenness refers to a lack in…
Towards the end of Sally Rooney’s acclaimed novel Normal People, the two main characters, Connell and Marianne, talk sleepily one morning about whether it’s possible ever really to know another person. ‘I guess everyone is a mystery in a way’,…
Much like the translators in my book (Prophetic Translation: The Making of Modern Egyptian Literature), I have also found myself speaking in languages that felt simultaneously very familiar and extremely alien. When I was in Cairo in 2006, I recognized…
Erin Sullivan and Marie Louise Herzfeld-Schild are guest editors of a special issue of Cultural History about ‘Emotion, History and the Arts’, published October 2018. Their introduction draws on a wide range of emotionally charged art works from different times and places—including…