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Edinburgh University Press Blog

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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • Shame in Contemporary You-Narration: Q&A with the author

    Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

    February 11, 2026
    Read more: Shame in Contemporary You-Narration: Q&A with the author

Shame in Contemporary You-Narration: Q&A with the author

Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

  • Edinburgh University Press
  • February 11, 2026

5 Things You Didn’t Know about Milton and Disability

Five things you might not know about Milton and disability, from writing Paradise Lost while blind to disability pride and care networks

  • Edinburgh University Press
  • February 9, 2026
a colourful collage of fragments of overlapping abstract photographs of plants, water and rocks. The colours give the feeling of iridescence.

What is extra in the ordinary, and why is the intimate often strange?

Eret Talviste explores Virginia Woolf and Jean Rhys through scenes of solitude and ordinary freedom.

  • Edinburgh University Press
  • January 19, 2026

Cats and Other ‘Slightly Magical’ Phenomena in Slightly Magical Irish Poetry and the Long 1990s

A Q&A with Lucy McDiarmid on her new book exploring Irish poetry’s ‘slightly magical’ worlds.

  • Edinburgh University Press
  • December 3, 2025

American Poets Traveled to Europe and It Shaped Modern Literary History

Elin Käck discusses the role of American poets’ travels to Europe in the evolution of modern American poetry and literary history in general.

  • Edinburgh University Press
  • November 27, 2025

Masculinities in Nigerian Fiction: Receptivity and Gender – Q&A with the author

A Q&A with Uchechukwu Peter Umezurike on Masculinities in Nigerian Fiction: Receptivity and Gender, exploring Nigerian masculinities, ethics, and gender in literature.

  • Edinburgh University Press
  • November 14, 2025
Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

Explore five adaptations of Brontë novels that amplify violence, from Wuthering Heights to Jane Eyre, reshaping the Brontës’ enduring cultural impact.

  • Edinburgh University Press
  • September 22, 2025

Hardboiled Blues: Rethinking the Music of Rory Gallagher

Dr Lauren Alex O’Hagan explores the overlooked literary depth of Rory Gallagher’s lyrics, arguing for their place within a unique hardboiled blues tradition.

  • Edinburgh University Press
  • September 5, 2025

Professionalisation and the New Woman: Q&A with Riya Das, editor of the critical edition of Mona Caird’s The Daughters of Danaus

Riya Das discusses the making of her fully annotated edition of Mona Caird’s immensely successful novel, The Daughters of Danaus.

  • Edinburgh University Press
  • August 29, 2025
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Shame in Contemporary You-Narration: Q&A with the author

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A sepia-toned 18th-century printed broadside titled “TRANSPORTED FOR SEDITION.” The design features ornate borders and three oval engravings of men in period clothing holding papers. Text around the portraits names individuals convicted of sedition and sentenced to transportation (penal exile), including references to courts and dates in the early 1800s. The overall style is decorative and historical, resembling a political or legal proclamation from Britain.

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Stone statue viewed from behind beneath tall Gothic arches and dark stone columns, framing a bright blue sky with clouds

The Future of Scottish Higher Education

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