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Edinburgh University Press Blog

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  • Cultural Studies
    • French Studies
    • Gender Studies
    • Irish Studies
    • Film and TV
    • Theatre and Dance
    • Islamic and Middle Eastern Studies
  • History
    • British History
    • Classics and Ancient History
    • Cultural History
    • Natural History
    • Religious History
    • Scottish History
    • World History
  • Language and Literature
    • Modernism
    • Literary Theory
    • Pre 19th Century Literary Studies
    • Post 19th Century Literary Studies
    • Scottish Literature
    • Atlantic Literature
    • Linguistics
  • Law
    • Comparative Law
    • European Law
    • Islamic Law
    • Roman Law
    • Scots Law
  • Politics, Philosophy and Religion
    • Religion
    • Philosophy
    • Politics
    • Political Philosophy
    • Scottish Politics
    • Film Philosophy
  • Publishing
  • Femininity as ‘it’: Sexual Normativity within Schizoanalysis

    Georgia Gibbs asks if schizoanalytic de-subjectification can contribute towards a feminist account of sexual normativity.

    March 4, 2026
    Read more: Femininity as ‘it’: Sexual Normativity within Schizoanalysis

A picture showing bare hills being grazed by sheep in the Ettrick valley.

A famous old shepherd looks for remedies

Explore James Hogg’s writings on Scottish rural life, tracing the loss of communal culture and the social tensions of modern sheep-farming.

  • Edinburgh University Press
  • February 18, 2026

Shame in Contemporary You-Narration: Q&A with the author

Denise Wong discusses Shame in Contemporary You-Narration, exploring second-person storytelling, shame, temporality, and narrative experimentation across literature and media.

  • Edinburgh University Press
  • February 11, 2026

5 Things You Didn’t Know about Milton and Disability

Five things you might not know about Milton and disability, from writing Paradise Lost while blind to disability pride and care networks

  • Edinburgh University Press
  • February 9, 2026
a colourful collage of fragments of overlapping abstract photographs of plants, water and rocks. The colours give the feeling of iridescence.

What is extra in the ordinary, and why is the intimate often strange?

Eret Talviste explores Virginia Woolf and Jean Rhys through scenes of solitude and ordinary freedom.

  • Edinburgh University Press
  • January 19, 2026

Cats and Other ‘Slightly Magical’ Phenomena in Slightly Magical Irish Poetry and the Long 1990s

A Q&A with Lucy McDiarmid on her new book exploring Irish poetry’s ‘slightly magical’ worlds.

  • Edinburgh University Press
  • December 3, 2025

American Poets Traveled to Europe and It Shaped Modern Literary History

Elin Käck discusses the role of American poets’ travels to Europe in the evolution of modern American poetry and literary history in general.

  • Edinburgh University Press
  • November 27, 2025

Masculinities in Nigerian Fiction: Receptivity and Gender – Q&A with the author

A Q&A with Uchechukwu Peter Umezurike on Masculinities in Nigerian Fiction: Receptivity and Gender, exploring Nigerian masculinities, ethics, and gender in literature.

  • Edinburgh University Press
  • November 14, 2025
Portrait of Anne, Emily, and Charlotte Brontë, painted by their brother, Branwell Brontë. In between Emily and Charlotte Brontë, there is a column of light, with the outline of a male figure visible. This is believed to be Branwell’s self-portrait, which he painted over.

Violence in Brontë Afterlives

Explore five adaptations of Brontë novels that amplify violence, from Wuthering Heights to Jane Eyre, reshaping the Brontës’ enduring cultural impact.

  • Edinburgh University Press
  • September 22, 2025

Hardboiled Blues: Rethinking the Music of Rory Gallagher

Dr Lauren Alex O’Hagan explores the overlooked literary depth of Rory Gallagher’s lyrics, arguing for their place within a unique hardboiled blues tradition.

  • Edinburgh University Press
  • September 5, 2025
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Femininity as ‘it’: Sexual Normativity within Schizoanalysis

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Interior of a video rental store aisle with rows of DVD cases displayed on wall-mounted racks. Blue carpeted floor with several loose balloons scattered along the aisle. Shelving and displays extend into the background, with one person partially visible near the back of the store.

1980s video memories with Peter Turner

The image shows a sparse, worn room that appears to be a former prison cell. The walls are yellowed and heavily stained, with patches of peeling paint and dark discoloration near the bottom. The floor has a checkerboard pattern of tan and white tiles. In the center of the room is a simple metal bed frame with a grid base and no mattress. On top of the bed frame sits a small metal box. Attached to the frame are metal shackles, suggesting restraints were used. The room has a barred window on the right side, allowing some daylight to enter, casting shadows on the floor. The overall atmosphere feels stark, somber, and austere.

What do hundreds of documentaries on genocide say about perpetrators?

Silhouetted martial artist mid-air against a sunset sky over the sea, holding a poised, balanced stance that emphasises calm, control, and intention rather than force.

Martial arts ecology and the quiet life of action cinema

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