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The Complete Scottish Sketches of R. B. Cunninghame Graham
Read more: The Complete Scottish Sketches of R. B. Cunninghame GrahamCunninghame Graham's great-grandnephew reveals his favourite sketch of the celebrated Scottish writer
Something Other than a Crisis: Derrida’s Last Reading of Husserl
By Sean Gaston In my recent article And Don’t Forget Phenomenology, Etc. in Derrida Today 14.1 (2021), I refer in a footnote to Jacques Derrida’s last readings of Husserl (48 n.10). Some fifty years after he had become a dedicated…
Derrida and the New: Deconstruction, Speculative Realism, and New Materialism
The November 2018 issue of Derrida Today publishes the keynote addresses from the 2018 Derrida Today conference in Montreal. One of the most exciting aspects of this gathering was the confluence of scholars who have been broaching questions of the…
You Don’t Know Jacques: Speculative Realism, New Materialism, and the Denial of Deconstruction
Fifty years have passed since the publication of Of Grammatology, and the Oxford Literary Review has dedicated its July 2018 issue to marking “The Age of Grammatology”. In my contribution to this issue, Misreading Generalised Writing: from Foucault to Speculative…
Psychoanalysis in the Academy – what is the future?
In Psychoanalysis and History, some of the leading contemporary academics working with psychoanalysis across several disciplines have taken time to consider the question – What Is the Future of Psychoanalysis in the Academy? – thus giving a timely survey of the status and possibilities…
Art, Literature and the Multilingual Spaces of post-Brexit Democracy
The notion of “sovereignty” has been made central to the debate heading toward Brexit, but what does it mean? Does ‘getting one’s country back’ mean recovering it from immigration, neoliberal capitalism, or both? Does it mean closing one’s borders and…
Electronic Literature, Again – CounterText 2.2
By Mario Aquilina What is happening to ‘literature’ in the digital age? Is it surviving, changing, under threat? How are we to think of works that are ‘born digital’ and hence shaped by modalities and affordances that are either absent…