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Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black Square
Read more: Originality and Artistic Impulse: From a Medieval Scottish Friar to Malevich’s Black SquareIs there any such thing as a new idea? Bryony Coombs discusses similarities in artistic expression, centuries apart.
EUP 75: Our Publishing in Philosophy
Discover the history of Philosophy publishing at Edinburgh University Press, from our extensive publishing in Deleuze and Guattari Studies, to a ground-breaking new series in World Philosophies.
Haraway against Deleuze, or, Must We Like Pets?
Ian Buchanan responds to Donna Haraway's reading of Deleuze and Guattari on the notion of becoming-animal
Fascism at the Limits of Capitalism
Reading Marx’s 'Capital' with Deleuze and Guattari
About William S. Burroughs
By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right, and as a cultural theorist, particularly his anticipation of what we now regularly call “a society of control” or “a…
Behind Red Doors – Signs, Process and the Political
In January 2016, a scandal broke out in the UK when the Times reported that asylum seekers’ homes could be identified by distinctive red doors, making them vulnerable to attacks. Coincidentally – but not where signs and the political are concerned – A Process Philosophy of Signs opens with an account of threatening identification on doors.
Bogus criticisms and animal becomings
By Ashley Woodward Peter Shaffer’s play Equus is perhaps best known to some today as ‘the one in which Harry Potter gets his kit off’ (as one of my students put it). Yet apart from the fact that it’s controversial…
From the Archives – The Creation of the Concept through the Interaction of Philosophy with Science and Art
At the beginning of the book What Is Philosophy? written by Gilles Deleuze in collaboration with Felix Guattari, the authors assert that “the time has come for us to ask what philosophy is”. They explicitly dismiss any hierarchy of the…