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Q&A with the author of Performing Worlds at the Baroque Court of Christine of France
Read more: Q&A with the author of Performing Worlds at the Baroque Court of Christine of FranceThis interview explores how Christine of France used Baroque court spectacles to shape political authority, global imagination, and cultures of consumption.
Hardboiled Blues: Rethinking the Music of Rory Gallagher
Dr Lauren Alex O’Hagan explores the overlooked literary depth of Rory Gallagher’s lyrics, arguing for their place within a unique hardboiled blues tradition.
Ellroy and Me
By Nathan Ashman It was 2006 and James Ellroy was in the midst of penning the much anticipated third volume in his ‘Underworld USA Trilogy’, an epic criminal history of post-war America. I, meanwhile, was just about to begin my…
The comforts of mystery
By Thomas Leitch Mystery and detective stories have always been my comfort-food reading. From the time I was weaned away from Nancy Drew and the Hardy Boys to Arthur Conan Doyle and Agatha Christie in the eighth grade, I’ve never…
Detective storyworlds: why do you keep watching?
By Antoine Dechêne A few months ago, my wife and I were having one of our numerous chats about the latest TV series we were watching. We are indeed insatiable consumers of TV shows and loyal spectators of Netflix. Although…
Techno thrillers, real life surveillance and data technology: mapping the future?
By Heike Henderson What can contemporary techno thrillers tell us about possible future developments in the areas of surveillance, data mining and predictive technology? In my article for the newly launched journal Crime Fiction Studies, I analyse how bestsellers by…
A career in crime: Dr Eric Sandberg reflects on research in crime fiction studies
I came to crime fiction studies through the back door. Like many people, I grew up reading mysteries. Franklin W. Dixon’s Hardy Boys series was an early favourite – I coveted the small blue hardcovers with a greedy passion, and…