• o Reproduction of a sketch bound in the pages of the periodical issue. On the left the artwork represents a human figure crouched down on the grass and looking at a smaller-size, nymph-like female figure standing on the right beside two daffodils (the titular Spirit of the Daffodil). Of the observer mainly his head and hands are visible and are painted in darker tones. Hues for the daffodil nymph are lighter and brighter.

Jean-François Lyotard: A Sceptic for Our Times

I first encountered Jean-François Lyotard's work in the mid-1980s, after the publication of the English translation of his book The Postmodern Condition. It was a text that created quite a stir in the English-speaking academic world, drawing a lot of both praise and criticism. I was one of those to be critical, as in the first thing I ever wrote about Lyotard, a journal article for Radical Philosophy, where I argued there was a nihilistic quality to his thought.