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Updating Roman Jakobson’s ‘Poetic Function’ with Vector Semantics
Read more: Updating Roman Jakobson’s ‘Poetic Function’ with Vector SemanticsKurzynski discusses how poetry extends beyond sound and rhythm and taps into a deeper network of meanings.


Kurzynski discusses how poetry extends beyond sound and rhythm and taps into a deeper network of meanings.

By Stanley Gontarski American outlier writer, William S. Burroughs, was a creative force, as a writer in his own right,…

By Ariane Critchley, Emma Davidson, Laura H.V. Wright The guest editors of the November 2020 edition of Scottish Affairs share…

Craig Ian Mann discusses all things werewolf with his pick of5 Lesser-known Werewolf Films to Watch on Halloween.

By Peter Burke The idea that the unintended consequences of human action are often more important – for better and…

By Jamil Hijazi, Jessica Obeid and Michel-Ange Medlej Jamil Hijazi and co-authors (Jessica Obeid and Michael-Ange Medlej) navigate the future…

By Jemma Stewart Read Part 1 and Part 2 of this blog series. Rose Roses…have ever reigned as queens of…

By Jemma Stewart Read Part 1 of this blog series. Lotus And as the voice spoke, a cold hand touched…

By Jemma Stewart H. Rider Haggard’s Gothic Garden In the Gothic Studies articles ‘Blooming Marvel’ and ‘She shook her heavy…

I first encountered Jean-François Lyotard's work in the mid-1980s, after the publication of the English translation of his book The Postmodern Condition. It was a text that created quite a stir in the English-speaking academic world, drawing a lot of both praise and criticism. I was one of those to be critical, as in the first thing I ever wrote about Lyotard, a journal article for Radical Philosophy, where I argued there was a nihilistic quality to his thought.