• Fashion plate depicting two women with parasols against a backdrop of roses and trees. The woman on the left is seated on a garden bench and holding an opened lilac parasol, displaying its white lining. The woman on the right is standing beside her and holding a closed blue parasol.

Rhythm and Critique

Detail from the Paul Klee painting Camel (in Rhythmic Landscape with Trees, showing an brightly coloured abstract image of a camel surrounded by trees

Sunil Manghani explores how rhythm came to be one of the most productive terms for critical enquiry into our social, political and cultural lives, and looks to the future of research into rhythm.