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Q&A: Television Drama in Mexico
Read more: Q&A: Television Drama in MexicoPaul Julian Smith reflects on visiting Mexico City whilst researching his new book.
Ludovic McLellan Mann: Glasgow’s original media influencer
By Kenny Brophy Decades before Instagram, YouTube, TikTok, and Twitter, to be an influencer involved analogue methods, persistence, and very,…
Media and Jihad: Understanding the Meanings and Aesthetics
By Simone Pfeifer and Christoph Günther Recent violent attacks in Kabul, Dresden, Paris, or Vienna, legitimized as Jihad, urge our…
What is Progressive Realism? The ‘other’ Kelsen
by Robert Schuett, Ph.D. When I began working on what would eventually become Hans Kelsen’s Political Realism I wasn’t sure…
Buddhism and Cinematic Technicity-Consciousness
By Victor Fan ‘Cinematic Imaging and Imagining through the Lens of Buddhism’ (from the latest issue of Paragraph) is one…
The ACEs Movement in Scotland: policy entrepreneurship and critical activism
By Gary Walsh The purpose of this blog post is to introduce my article about the Adverse Childhood Experiences (ACEs)…
Religion, Identity and Power: Turkey and the Balkans in the Twenty-First Century
by Ahmet Erdi Öztürk Religion and belief are two of humanity’s oldest identity codes. Identity is intertwined with religion and,…
How did the Festival industry repurpose Edinburgh’s public policy making?
By Cliff Hague COVID-19 brought Edinburgh’s tourism boom to a screeching halt, and wiped out the city’s main festivals in…
The missing drafts of Whitehead’s books
Until recently, few people suspected that the missing drafts for Alfred North Whitehead’s books might still exist – in the notes of his Harvard and Radcliffe lectures.
Divine Hiddenness in C.S. Lewis’s Till We Have Faces
By Derek King C. S. Lewis’s Till We Have Faces is a brilliant piece of fiction but also a mediation…