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Updating Roman Jakobson’s ‘Poetic Function’ with Vector Semantics
Read more: Updating Roman Jakobson’s ‘Poetic Function’ with Vector SemanticsKurzynski discusses how poetry extends beyond sound and rhythm and taps into a deeper network of meanings.


Kurzynski discusses how poetry extends beyond sound and rhythm and taps into a deeper network of meanings.

What Scottish play, published in 1725, reached over 100 printings by 1800, was called ‘the noblest pastoral’ by Robert Burns, inspired more than forty paintings, more than ‘from the entire works of Chaucer, Defoe, Swift, Richardson, or Fielding’ (R. Altick, Paintings from Books), and was performed by amateur companies throughout Scotland as late as the end of the 19th century?

Allan Ramsay and his 1720s Edinburgh adventure in ballad opera

by Scott Weiner What is a tribe? Social scientists have long been interested in tribes, but political science has struggled…

Our Scottish Studies Scottish Diaspora Virtual Issue has just launched, and features almost 30 journal articles and book chapters from…

Melissa Mueller and Lilah Grace Canevaro interview Amy Lather, author of Materiality and Aesthetics in Archaic and Classical Greek Poetry, the first book to publish in the new Ancient Cultures, New Materialism series.

by Jonathan Hardman and Alisdair MacPherson This Q&A with Jonny Hardman and Alisdair MacPherson introduces their new edited collection for EUP…

Compared with video material dealing with Shakespeare, there are relatively few really helpful videos dealing with Ben Jonson, either on the internet in general or on YouTube in particular. This, of course, is also true of most “Renaissance” authors aside from “the Bard.” However, one particularly valuable video documentary dealing to some degree with Jonson (and in fact titled “Ben Jonson”) was released as part of the “ShaLT [Shakespearean London Theatres] Project”:

The articles in this special issue offer powerful transdisciplinary testimony to the rich potential of the contemporary return to mimesis, and in doing so suggest ways in which the mimetic turn and the post-literary turn may be understood as critically supplementing each other. In this short accompanying video Guest Editor Nidesh Lawtoo offers a foretaste of what readers can expect.

In this interview, Natalia Christofoletti Barrenha, co-editor of ReFocus: The Films of Lucrecia Martel (out now in our series ReFocus: The International Directors…